Screw you New York Times for restricting access

When you read the New York Times online you are limited to ten articles per month.  I believe this is a terrible practice in a shortsighted desire for profit.  It hurts the business, and is terrible for informed citizenry.

This morning I was going to quote an article from the New York Times that was about a specific article (American soldiers, military drugging and the relationship with Post-Traumatic Stress Disorder.)  I thought it would be interesting to join in the conversation about this topic by re-blogging a key argument from the article.

But the realization that anyone who clicked the link would be swept into the New York Times crappy paywall made me say “forget it.”

Screw you New York Times!

This is the internet era where advertisers ask about things like “reblogging” and “brand loyalty” right?  How is this possibly good for their business?

More importantly, how terrible is limiting access to information?  It’s bad for readers, reporters, other news agencies, and of course limits the participation in important conversations.   The paywall is bad for citizens, bad for communities, bad for working people and of course, bad for the New York Times!

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Filed under capitalism, communication, media

Rhetoric, sports and ability

Sporting events are exceptionally significant in human culture.  In every corner of the planet kids kick a ball around.  While sports are ever present, we also have to navigate the stories that define what that play means.  Competition, fair play, hard work, hierarchy, teamwork — we are steeped in the narratives that permeates sports stories.  These stories invite participation, and they also exclude.  It is worth considering what happens when the desire to play a sport doesn’t conform to the bodily requirements of that sport.

One punchline for these stories ends with Rudy Ruettiger, the pint-sized Notre Dame football player whose hard work eventually leads the coach to put him in the game.  Another possible ending is for accommodation through the development of a new sport.  Wheelchair rugby comes to mind.

Recent convert to wheelchair racing, Victoria Stagg Elliott wonders why more  people don’t get involved in adaptive sports in an essay at The Rumpus.

What if more runners, when faced with having to hang up their shoes for whatever reason, switched to wheelchair racing rather than cycling or swimming or giving up physical activity completely?

Here’s what I think would happen:

So-called disabled athletes would have more opportunities to participate in able-bodied sports and vice-versa. We would all realize that we are more alike than different, and that playing alone really isn’t very much fun.

via What If Wheelchair Racing Were Just Another Sport? – The Rumpus.net.

I like Elliot’s take on adaptive sports, and the encouragement for people to simply play.  It seems like sports and play are worthwhile fundamental human desires — it is worth crafting a world where people who wanted to participate in any activity would get the chance.

It also takes a certain amount of work to change sports stories.  With sports the concept of fairness can help to persuade some people to make sports inclusive, but the Title IX separate-but-equal is a predictable pressure release valve.  It seems valuable to push forward on all intellectual fronts to bring forward inclusion.  To support adaptive sports, to fund and celebrate sports communities who become more inclusive, and to engage in sporting play ourselves — regardless of our level of ability.

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Filed under communication, disability, health, human rights, representation, sport

Soul night 8: funky good times

Above you can see Matt Jackson jamming out to DJ Mantease.  Stars of the Missing Link Soul Night.

Arcata June 15.  Good party thrown at humbrews.  Sold out during the summer with fewer students around.  I love the locals!  Thanks to ya.  DJ Zephyr gave a great set to open the party.  I love that Stevie Wonder tune!  I played some 45s and danced and drank with the people!

1. Rhythm Masters – I can do anything you can do

2. Syl Johnson – Goodie goodie good times.

3. John Roberts – sock it to me 1-2-3-4

4. Willie Henderson – loose booty

5. Lou Tobie  – Heavy steppin’

6. Kool and the gang – Kool and the gang

7. Dorothy Oma and Zepha – Put it on you

8. Sugarpie deSanto – Git back

9. Pointer Sisters – betcha got a chick on the side

10. Willie Mitchell – My babe

11. Etta James – Tell mama

12. Jodi Gales – push

13. BW Souls – Marvin’s groove

14. Nino & seventh avenue – roll it

15. Bobby Powell – peace begins within

16. Ann Peebles – I can’t stand the rain.

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Aaron “Jaws” Homoki: that boy ain’t right

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Michael Kimmel and ‘No Homo’

I spent some time last semester talking about the phrase “no homo” as gender policing.  My argument is that it verbalized patterns of behavior that were not generally sexualized.  Quite often bringing sexual attention to something that was previously mundane. Consider rap intellectual Dallas Penn’s use of “no homo” to ensure heterosexuality is mapped when getting a compliment about his Polo scarf.

He didn’t introduce himself as a rapper, a graff artist or anything spectacular. All he did was compliment me on the ‘Lo scarf I was rocking. No homo, of course.

via dallaspenn.com » Blog Archive » MEYHEM LAUREN IS REALITY….

I have traditionally argued that “no homo” is simply gender policing.  Making sure that people around you know that it is not acceptable for your version of a man to compliment another man on a scarf for instance.  It seems like this is an extension of pathological homophobia.  Not just fear of gay sex, but fear that non-sexual acts would be read as the precursor for gay attraction.

It seems like an interesting subject because it makes an easy map to see the boundary lines for modern masculinity.  The rules for men-to-be-real-men are seldom as explicitly verbalized as with “no homo.”

I’m a fan of Michael Kimmel.  I think he is a smart man who gets a lot of the power dynamics of gender. In the case of “no homo” he argues that this is a kind of linguistic development which marks a loosening of the boundaries of new heterosexual masculinity.

I think we’re a little less homophobic. There’s good evidence that young men are less homophobic than older men are. And I illustrate this often by the difference between “that’s so gay” and “no homo.” Because “that’s so gay” is a way of policing other guys, saying don’t do that, that’s gay. But “no homo” says “you can do it, no homo.” Or “I love you, no homo.” It gives us permission to say something but then back away from it. That’s really different than not being able to do it at all. It’s a small step. The next step is to be able to say it and then not back away from it at all. I think it’s a little bit progressive, not a lot bit progressive.

via An Interview with Michael Kimmel | fbomb.

I think this is quite interesting.  It seems as though the “permission-with-commentary” may come with substantial linguistic homophobic baggage.

 

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Filed under communication, feminism, homophobia, representation

Documentary: Fermat’s last theorem

Yowza!  What a brainbuster! Rock on math dudes.

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CAN documentary

Respect Can.  Progressive rock bosses.  I’ve been listening to them a lot these days.  Here is the nice documentary.  My favorite part is the use of a electric razor for vocals at 1:02-ish.

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Junior: Mama used to say

Greatest. Green screen video. Ever.

 

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Autocritical hip hop: David Banner, Killer Mike and Stalley

I don’t have any particular expectations that an entertainment medium like rap music should be political.

All music speaks to the politics, ideology and identity of the forces that create them.  In 2012 hip hop is a particular series of almost mockable ultra-capitalist tropes.  It makes sense that right wing pundits would continue to amplify moral panic out of rap music because most of music and imagery is created to be increasingly outrageous.

The fun part is that twenty years of cultural saturation has shared the tools to make rap music with millions of young people.  Quite a few of them grew up and made rap music.  Some of them currently make excellent rap music.

I agree with El-P (shown here with Killer Mike).  There is a lot of good rap music out there.

The people who make rap music have a certain investment in the art form.  Stalley’s new video “Live at Blossom’s” from the Savage Journey to the American Dream mixtape is a good example of the internal reflection about materialism, violence and sexism in hip hop.

Edward Said would call this kind of poetic monologue autocritical.  To encourage the listener to layer their own political awareness against books, movies, videos, songs, and unpack the politics represented in the media artifact.

Killer Mike’s rant rap is always excellent.  You can basically buy anything he has put out or download any of his mixtapes and you’ll get something quite entertaining from it.  Here Killer Mike represents his deep seated loathing for the Reagan era in “Big Beast,” a horror movie/jacker/gore fest.  Assists from Bun B, T.I. and El-P in this almost ten-minute mini-movie.  Not safe for work.

You could argue that the cannibalism of T.I. and Killer Mike is a thinly veiled mockery of consumers of violent hip hop.  David Banner makes those arguments explicit, calling out rap music in a particularly dramatic fashion.  Enjoy “Malcolm X” for that critical perspective on hip hop.

 

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Filed under capitalism, communication, hip hop, music, representation, resistance

Oh No & MF DOOM: Ohnomite

I’m a fan of almost everything MF DOOM has ever done.  I also like So-Cal sampling star/emcee Oh No.

I guess Oh No got access to Dolomite AKA Rudy Ray Moore’s back catalog for sampling.  That was enough to lure MF DOOM to contribute.  What do you know, you get a tasty/nasty video to celebrate the collaboration.

Thanks Pigeons and Planes for the info!

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