Thanks to science seeker for the link and video creators Hakai Wild.
Category Archives: nature
This morning I went to pick up bagels and two seagulls launched from a power line and flew down the road in front of me – hovering about a hundred feet ahead of me leading the way through the fog for several blocks.
I’m sure that this kind of thing has always happened. But I’ve become cued to observe birds more closely recently. Part of it is the boardgame Wingspan, and I’m spending more time out-of-doors during Covid-19.
Similarly, I’ve spent a lot of time connecting with the Melvin’s catalog recently. Like seeing squirrels, birds and neighborhood cats who come into relief when you are paying attention, the Melvins grow in importance and meaning the more you look for them.
Here are the Melvins in 1993 playing in all their glory at UCLA. Buzz with a savage sound and performance energy. The weirded out passers-by. Dale’s gardening gloves? The drama-stage drum riser that seems to be set up in a car park or something. All captured on VHS glory.
But the winner of the video is Lorax or Lori Black the bass player. Disinterestedly smoking a cigarette, playing that drone string with a herky-jerky chop – fuzzed out bass chords that stop on a dime. Worth a listen.
Long out of print in 2019, I was pleased to get a copy of the boardgame Wingspan this summer. Since it arrived we have played Wingspan almost every two days. Wingspan is one of the best constructed and fun to play games of all time.
Wingspan allows you to build an collection of birds in meadows, forests and wetlands. You operate mostly in solitaire mode, drafting birds, getting food and laying eggs for future generations. The mechanics resemble natural processes and the subject (170+birds) are simply beautiful.
The game play is very pleasing. I find myself lost in my own (almost solitaire-like) joy in strategizing how to get the right food to build a magnificent Golden Eagle or Mississippi Kite, the sense of competition falls away and I’m just in the zone. It is an innovative game mechanic – you finish every game wishing for one more turn.
Wingspan was created by Elizabeth Hargrave who has a robust life as a thoughtful board game intellectual. I’ve watched a few videos where she documents the process of creating Wingspan. She comes across as sincere, thoughtful and aware of issues of representation and power in all aspects of life. The below lecture given at the NYU Game Center is a good example.
Hargrave outlines the creation of the game and the development of the innovative game mechanics. When given the opportunity she also unpacks some of the gendered assumptions about Wingspan (“Am I making games for women?” she asks at 41:20. ) The response includes this great slide:
Hargrave’s talk is for a group of students (MA and BA) who are studying game design. You can watch the video on a number of platforms, but watching it on twitch has the added benefit of seeing the commentary as Hargrave’s lecture unfolds. (This is also a refreshing juxtaposition, traditionally the text chat on the side of a twitch stream would be rapid-fire trolling copy/paste spam, replaced in this case by earnest classmates joking with each other and riffing sincerely on Hargrave’s arguments).
Hargrave is on top of the significance of representation in boardgames. She also shared the tools and strategies she used to build, and publish her game. She shares information about inclusive calls by game companies and scholarships for new designers. She seems earnest in a desire to open up games for new creators and to encourage sincere support for each other.
I appreciate the values expressed by this approach of game design. She also just comes across as cool. At 46:00 when she encourages future boardgame makers to experience wonder by making games about things that they care about or describing her ban on games that include castles, I got the sense that Hargrave would be fun to hang out with and game with.
One thing that consumers who share the values of inclusion, accessibility and nonviolence can do is BUY these kinds of games. Wingspan is published by Stonemaeir games and you can get all sorts of cool stuff there. I recommend the European bird expansion set.
While praising the game you have to pause at the incredible art that covers the cards of Wingspan. The hundreds of birds illustrated for the game are almost scientific-style drawings, but are really beautiful. You can check out the artwork of Ana M. Martinez and Natalia Rojas on their respective websites.
An amazing documentary about a crow named Canuck. Worth a watch.
Grotesque and cruel. To enslave an animal in a zoo for viewers to consume for pleasure. To ensure that the captive animals represent the happy animal fiction they are drugged.
After their experiences at the zoo in Boston, Murphy and Mufson were curious about the use of psychopharmaceuticals in other captive gorillas, so they surveyed all U.S. and Canadian zoos with gorillas in their collections. Nearly half of the 31 institutions that responded had given psychopharmaceutical drugs to their gorillas. The most frequently prescribed were Haldol haloperidol and Valium diazepam, though Klonopin, Zoloft, Paxil, Xanax, Buspar, Prozac, Ativan, Versed, and Mellaril had all been tried.
Thanks to Dan Weiss’s daily coffee from the Rumpus for the link.
I enjoyed an essay by David Dobbs in Aeon Magazine about genes. Key to the argument is a call for more complex understanding of the relationship between genes and evolutionary change.
The gene-centric view is thus ‘an artefact of history’, says Michael Eisen, an evolutionary biologist who researches fruit flies at the University of California, Berkeley. ‘It rose simply because it was easier to identify individual genes as something that shaped evolution. But that’s about opportunity and convenience rather than accuracy. People confuse the fact that we can more easily study it with the idea that it’s more important.’
The gene’s power to create traits, says Eisen, is just one of many evolutionary mechanisms. ‘Evolution is not even that simple. Anyone who’s worked on systems sees that natural selection takes advantage of the most bizarre aspects of biology. When something has so many parts, evolution will act on all of them.
‘It’s not that genes don’t sometimes drive evolutionary change. It’s that this mutational model — a gene changes, therefore the organism changes — is just one way to get the job done. Other ways may actually do more.’
It seems to me that the arguments that the genetic code are read in different ways most challenges the notions about predictable genetic modification.
Describing Mary Jane West-Eberhard’s arguments about genes, Dobbs notes:
She does have her pithy moments. ‘The gene does not lead,’ she says. ‘It follows.’
There lies the quick beating heart of her argument: the gene follows. And one of the ways the gene follows is through this process called genetic accommodation.
I appreciate that it comes down to a battle of articulation — simple vs. complex. Communication, it always comes back to communication. Some ideas corrode against others and in this case the gene-centric model pushes out the ability to explain that ideas like the selfish gene . . . might be a little more complex than we think.
Yet West-Eberhard understands why many biologists stick to the gene-centric model. ‘It makes it easier to explain evolution,’ she says. ‘I’ve seen people who work in gene expression who understand all of this. But when they get asked about evolution, they go straight to Mendel. Because people understand it more easily.’ It’s easy to see why: even though life is a zillion bits of biology repeatedly rearranging themselves in a webwork of constantly modulated feedback loops, the selfish-gene model offers a step-by-step account as neat as a three-step flow chart. Gene, trait, phenotype, done.
National Geographic videographer Paul Nicklen gets an incredible story and series of images from his time with an instructive leopard seal. A few thoughts:
1. Nicklen could have moved on after the first day when it was obvious that the Leopard Seal was taking care of him. The choice to stay suggests that Nickelen was overjoyed to get this particular interaction with the seal — as a means of telling a story.
2. It is cool that we get a contrast to the usual story of brutal nature, but the cute nature is just as toxic to the animals that live out there. Global warming, pesticides, chemical run-off, garbage, and general intrusion into a low-human area are all recent human contributions to the arctic. I sincerely love the video and the suggestion of care from a predator is distinctive. It seemed like there was a lot of food around for the seal. I wonder if the leopard seal would be as generous when food is scarce.
3. I feel bad for the penguins.
Scientific knowledge comes from inquiry into the natural world. It is a valuable and important part of human existence. As we learn and invent, it is equally important that we constantly reflect on how we do science — it is just as important to refine — to do science better.
I believe that using animals for experimentation is unethical.
I have a brief pause, reading the old articles about Felicia the ferret, who helped to clean the tubes at the National Accelerator Laboratory in Illinois. There is something sweet about Felicia’s work that belies my understanding of animals in research laboratories. Here are a few examination of the 1971 newspaper descriptions of this ferret used for science.
1. Natural aptitude
It seems as though each article describes the natural skills that make Felicia the ferret particularly capable of the tasks she is given (running a string through 300 foot tubes). David Anderson’s article highlights the role of Robert Sheldon, the scientist who suggested that the lab try a ferret.
Being British, Sheldon remembered the use of ferrets by poachers who sent them into burrows after rabbits on English estates. Gamekeepers could hear the shooting of guns, but never the silent ferrets.
“Felicia is ideal for the work,” Pelczarski said. “The ferret is an animal filled with curiosity and seeks out holes and burrows. Its instinct is to find out what’s at the other end of a burrow, or, for that matter, a tube or a pipe.”
2. Feminizing Felicia
Felicia the ferret is feminized at a number of points in the articles. Consider Peter Vaughn’s Minneapolis Star essay. The introduction begins:
It is one of those success stories you read about: A small-town girl fresh off the farm finds fame and fortune.
Well, Felicia, who spent her early years on the farm of Stan Fredin near Gaylord, Minn., isn’t the average Minnesota farm girl.
In the first place, her hair is three different colors – brown, white and black.
Also, she is small as Minnesota girls go, barely topping 4 inches when on all fours.
Felicia is a ferret and left Fredin’s farm early this summer for a job with the National Accelerator Laboratory in Batavia, IL.
Several of the articles suggest that Felicia be rewarded with a mate — each time the suggestion was denied because if she became pregnant she might not fit through the small holes she was being trained to run through.
She has her own special set of weight watchers, including Sheldon, who just doesn’t intend to let her get too big for the job.
Asked why there was only one ferret, Sheldon laughed and said, “If you think she needs company, you’re not really thinking ahead. We have to. Motherhood might just put her out of a job. Her career depends on her size. She’s important to us, but one is enough.”
3. Memorializing Felicia to justify the use of animals in science.
Many of representations in these four articles are justifications for breeding, enslaving and using an animal for someone’s gain.
Part of the problem is that Felicia is a particular case — her work didn’t involve being cut open or enduring a painful series of experimental drugs. Everyone can be sold the bogus particular story of a cute rodent running through the tubes bravely helping the scientists. Contrast that to the 13 million animals being used in research. The American Anti-Vivisection Society note that most of the test subjects are mice, rats and other rodents . . . like cute little Felicia!
Though the scientific value and ethics of animal research are increasingly being questioned, it is estimated that over 13 million animals are still being used in a wide variety of research projects every year in the United States. Purpose-bred birds, rats, and mice, as well as fish and other cold-blooded animals, make up the vast majority of the animals used in research (over 90 percent), yet are specifically excluded from the Animal Welfare Act. As a result, the U.S. Department of Agriculture (USDA) does not keep records of the use of these animals, nor is there any legal requirement to afford these animals even the minimal standards of care provided by the Animal Welfare Act.
Which makes the particularizing and justifying of this individual animal’s story so worthy of amplification. Kathryn Winslow’s plaintive profile of the ferret is a pretty stark contrast to the usual life of a ferret in a research laboratory.
Felicia turned out to be a virtuoso at her work. She carried whatever was fastened to her harness for long distances, sometimes around many obstacles on the course. Those working with her were so pleased that they wanted to reward her at the open end of her journey, but they could not find a tidbit she particularly longed for. She was happy enough to see her cage at the end of the journey, the only lure that was ever used to bring her out at the other end.
She was soon famous. She has been talked about on radio, seen on television numerous times, and been written up in magazines and newspapers with national and international coverage. She stars in a television film to be released soon in Europe. Her personal “manager” at the laboratory is Walter Pelczarski, who lives in Clarendon Hills.
This particular article notes that Felicia became famous for her participation in the cleaning of the tubes — an animal celebrity. Why would this ferret get it’s own movie? From an anthropocentric perspective this cute furry animal that solves a little problem in this giant scientific endeavor grounds the abstract science in a narrative that is comfortable.
Felicia didn’t want to go through those tubes, she was bred and raised particularly for this task. She was trained and rewarded, and of course kept in a cage for most of her life.
When Felicia’s job running a string down the particle accelerator tubes was given to a small robot, the romantic save-the-particular-animal trope becomes more visible. Again Kathryn Winslow in the Tribune:
This good life may soon end for Felicia. The laboratory scientists have designed and built a mechanical ferret, a device activated by compressed air and controlled by wires. They don’t need Felicia anymore. This was always the plan, with Felicia to be used only temporarily, while they built her robot.
But now Felicia is famous and she has a following of people concerned for her welfare; people who do not want to see her sent to a museum as an exhibit, which is what the laboratory may do with her two weeks from now.
They are thinking of sending her to Oak Ridge, Tenn., where there is a live museum of animals and creatures that have made a contribution to science. There are mice, guinea pigs, and snakes there, among other exhibits.
But it’s no place for Felicia, who is a pet and needs the affection of human beings. Will it take an act of Congress to save Felicia?
Here is to an act of congress that frees all animals in captivity being used for experimentation. If it’s good enough for Felicia, I bet it’s good enough for the ferret getting injected with Influenza virus down the road.
(Thanks to Boing Boing for the link to the Fermilab history and Archives project!)