Category Archives: resistance

Repair as rebellion

Making things is important. I believe strongly in Do-it-yourself and love creating things. My own hands on skills are improving every day and I feel like it is a conscious effort to be part of creating and repairing things in a throw-away society.

We are encouraged to throw away broken things and buy the replacement. We are taught to accept the constant cycle of consumer capitalism which teaches that we all lack and that buying things is the only way forward – and that those things are likely to break and we’ll have to repeat the cycle.

Most people I know aren’t pure vegan monks who make their own gruel by growing grain in their yard. Most people know that the system is rigged and have very legitimate primary emergencies for consuming. Inconsistency in this case is evidence of the ever-present nature of the problem – that there is no space free of consumer capitalism. Knowing that we are fucked isn’t all that helpful.

Enter Van Neistat who has successfully kickstarted a sort of autobiography of a self-styled repair man (conscious choice of Neistat). The first video I saw was about his stint as the repair person for a large museum installation that takes a more personal turn when the installation is moved to Berlin. Shout out to my homie JMORG who hipped me to this series.

There are other threads to be pursued in the area of repair as existential location to critique capitalism. (You could debate whether Van Neistat is doing this – I certainly am). Thomas Twaites work to create a toaster from scratch operates in similar terrain.

Both are theatrical ways to make visible just how far most people are away from repairing their own stuff. They also point out what it makes to construct or repair anything.

The downside of both projects is that they sort of idealize those brave (usually male) nostalgic figures who against-all-odds learn how to repair or build things. They make the work seem next-to impossible and don’t really invite other people to actually get their hands dirty. I also loathe the single dude genius trope. I rather like the idea of feminist and anti-racist maker spaces where young people learn by doing with a few old folks brought along.

In my current period learning about audio and electronics I’ve come to really appreciate those folks who came before me. Usually I like people who seem humble and invite you to experiment because they make it seem easy. One way is that they will usually joke about their own failings or seem accessible.

Look Mum No Computer comes to mind as the kind of goofy make it/ fake it energy that is inspiring. But I also appreciate Aaron Lanternman who made most of his Electronics for musicians university course available for people to teach themselves. And the amazing audiophool who is teaching a master class in the CMOS CD40106 intigrated circuit.

Alienation is the trick to subvert our powers of self expression and creativity. Combatting the overwhelming invitation to despair is hard some days. Learning to create, repair and make things can be a part of finding your own power.

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Gamestop will be the single largest wealth distribution in United States History

Late in January 2021 the short stock squeeze on hedge funds by Reddit subforum r/Wallstreetbets became a national story. The primary narrative seemed to treat the conflict as a novelty story about the insights and cheek of the uninformed masses investing on their phones. This may be a risky prediction, but I think that next week the majority of Reddit investors will hold and the eventual consequences will result in the single largest wealth distribution in United States History.

Mohammed El-Erian writes a good summary of the showdown that is happening and the stakes for the large scale financiers in Bloomberg:

I’m not strong on translating business-speak, but I think he is saying that if the Gamestop shareholders continue to want to buy the stock (not just hold it) and some short purchases still need to be fulfilled, then the value of the stock could continue to rise. And that could wreck one or more of the money making jam boys on wall street.

A casual stroll through Reddit will give you some good examples of the palpable poor-vs-rich anger. Reading r/Wallstreetbets is fascinating for the insider language, the shared sense of purpose and the dual denigration of the community and pride for it’s newly-found capabilities.

Note that the subforum is called r/Wallstreetbets. There is another forum called r/stocks and hundreds of other Reddit investing subforums. The name of this forum betrays the gambling nature of the investment stories and the big wins and losses which make this story so attractive.

Here are a couple of screenshots from the forum with some particular linguistic and representational frames that are worth note. (They are also potentially offensive).

This is insider communication telling the story of the moment to themselves. The community is self-articulated as small-time investors, angry at large hedge funds. The participants seem mostly interested in making visible the disparities of the capitalist system. They call themselves “retards” and “autists” partially to obsure the notion that they are giving financial advice. The reference to apes is shared identity with Harambe the murdered ape imprisoned in the Cincinnati zoo.

They are almost always offering palliative advice. Everyone I know has experienced so much pain and suffering because of debt. Health care and education debt, extra-long work hours and exhaustion from a combination of an economic system that asks more and more from us while offering less of a safety net. The raw anger of the “guy who lives in his truck” and u/space-peanut can be felt. Their motivation is vengence – to not only hold, but to “buy the dip” to continue to invest in the stock for the purposes of enacting revenge for the damage already done by the capitalist system.

Buying the stock is getting harder and harder to do as the trading app Robinhood froze purchases and then throttled users to a single share per day on Friday. The realization that the company was preventing the movement from access to the stock (seemingly to protect the hedge funds) created enormous anger and a quick move to use those investing tools that allowed small investors to buy Gamestop stock.

I’m not alone in thinking that there is a showdown coming this next week, and the press will continue to talk about the inevitable run that will come when some of the larger stockholders sell the stock in order to recoup their now astronomic investments. But I’m not sure that many of the die-hards are going to do that. I think they “like the stock.”

Reading R/Wallstreetbets, one of the users whose posts zoomed to the top of the page is u/Deepfuckingvalue a user named Keith Gill. u/Deepfuckingvalue posts single images of his stock portfolio daily holding gamestop stock showing a 30-40 million dollar investment portfolio. It is a persuasive representation of the enthusiastic rewards for this kind of clubhouse community of seemingly-irrational investors. Watching Gill’s youtube video explaining why he thinks you should buy Gamestop is rational, persuasive and prescient.

U/Deepfuckingvalue argues that Gamestop is likely to stick around because people will shop there and the store will make money. He defends against digital video-game purchases, articulates management changes and basically does wonky due diligence. Around 39 minutes they begin forecasting what the stock might do if people invest. Worth a watch.

Note that this video is from July. The reddit folks who were hipped into this moment have had six months to slip into a few Gamestop shares at prices from four bucks to above four hundred bucks. Quite a few users on the forum have presented their spreadsheets of gamestop changes showing hundreds of thousands of dollars of gains and a shared enthusasm to hold the stock.

I think that a few folks will sell a few shares to get some cash to pay bills or floss their new found wealth. But I bet that the majority of folks will keep the majority of their shares. Others, excited to be part of the community of Gamestop stock owners will be ready to buy the stock even at the inflated price because it comes with a lot of extra value from the moment. But I think they are thinking that they will get to own a long-standing business in their community, not stock that they’ll sell when it is convenient.

I think that that individual investors will continue to seek out nostalgic businesses that have been marked for decline by hedge funds. AMC and Bed Bath and Beyond appear to be part of this redemption story because they hit the sweet spot of businesses that people want to defend from destruction and because they have been shorted by hedge funds.

This may point to a kind of crowd-funded community development opportunities. In the past most small investors have been sway to the moves of the market. If your local grocery store went out of business you might have to drive 45 miles to shop somewhere else. The ability to quickly invest money to keep businesses afloat because we need them hasn’t been available before this. I wonder if the abiliy to save a few chain corporations from bankruptcy will make a dramatic difference, but it is an interesting change in presumed power and maybe it will prevent a few food deserts.

But we also are going to see a huge series of changes from this moment because a couple of billion dollars is moving from hedge funds to a lot of previously-small scale investors in Gamestop. These Gamestop millionaires are going to going to make a big impact in the financial and cultural moment of 2021.

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Axe and misogyny: They view it as a war to defend white supremacy

On January 6, supporters of the sitting president of the United States attacked the United States capitol and rioted inside the building. The stories, images and fallout are all visible and well documented. Here is how I understand that we got here:

In the 80s, republican operatives, mapping demographic changes and voting assumptions began to see rising numbers of people of color as a threat to the electoral power that they had held. Billionare conservatives started funding very specific media sources (Breitbart, Fox News, Daily Caller) to make money from a new market – white people who could be made angry about changes for justice in order to create an enthusastic white supremacist voting block to keep republicans in power.

In their mind, there were just a few short decades to go until the showdown, so they strategized in a couple of very focused ways to ensure that conservative business leaders could resist.

  1. They funded, fostered, nurtured white anger against people of color at every opportunity. Using the axis of race, right wing journalists could re-articulate crushing poverty as the fault of the gains of people of color. It was the Southern Strategy on steroids.
  2. They invested heavily in controlling the courts. Federalist society, nurturing young conservatives, scholarships, mentorship, and guidance to create targeted young right wing ideologues ready to carry the white supremacist mission long after they are dead.
  3. They worked hard to win state legislatures, and use gerrymandering to minimize the power of voters that didn’t vote republican.
  4. They succeeded in establishing a relationships to politicize videogame players and an emerging online troll culture to embrace the symbols of white supremacy with ease and comfort.
  5. They absorbed / hijacked the Republican party in the 2010s and reassured the traditional elements of that coalition that the gains in power would be worth the harm to the nation. Corporate donors, philanthropists, government agencies, and many others became complicit in a full-fledged white supremacist government structure working under the Trump administration to do active harm to people of color at almost every turn.

Here is where we often get it twisted. The justifications and explanations for each of these activist strategies are fairly well documented. The key question is how do a small number of very privileged republican organizers spin this strategy? What do they specifically say and to who – these questions can be part of the educational work to innoculate future fascist moments. In this case, the narrative of white supremacy was the only communiciation strong enough to push working class white people to harm people of color and it was buoyed by hatred of women and an anger at lack of white solidarity.

There are a lot of issues of accountability that will be navigated in the next few weeks. Criminal charges for those who killed a cop, resignations from those leaders who are identifed as responsible (or those who are scapegoated). And this rupture will open the space for new policies that will often have profoundly negative implications for people of color, poor people, women and disadvantaged folks (increased surveillance, new anti-terrorism laws, policing in communities of color etc). To rush into policy-making without reflection is a terrible path forward.

We should take stock of the recuperation efforts. Examine those who played a role, or had been connected to the violence and some-how are attempting to detatch themselves. We should be asking how the invitation was framed such that it made sense to so many people. But finding access points is important.

My first off note about this was Strava – the bike riding app told me that it didn’t support the insurrection against the US government and weren’t cop killers in an announcement at the top of the app. Well yeah . . . you are supposed to be an app that tracks my cycling miles, I hadn’t honestly assumed that you were in favor of a violent overthrow of the government by Nazis and their allies.

“What we saw in the US Capitol this week was the antithesis of what Strava stands for,” the letter read. “It was internal terrorism and we denounced it. Whatever the limits or flaws our democracy may have, we believe that we must protect it. ”

“This is not about politics. These are fundamental principles in which we deeply believe: treat ALL people with decency, respect and fairness ”. says the letter. “When you joined Strava, you joined a global community of athletes who are in line with our community standards: respect each other, respect the rules, and be inclusive and anti-racist.” (Sidenote: it looks like Strava disappeared this note almost as soon as it was made. The only reference I can find to this quote is from a weird fitness webpage that is giving me fascist vibes . . .)

We can probably distinguish those corporations who took a serious loss from their de-platforming of Donald Trump from those who chose the moment to try to forward their brand. In this case, we are talking about a corporation that commented on the attacks either for their own gain or to protect themselves from public relations losses.

Axe Body Spray for instance.

Axe Body spray is the worst. Not only in aroma, but in the toxic sexist rape culture advertising that has been marked, mocked and mapped. I’m not surprised that Axe body spray had to respond – they must know that the bogus entitlement to sex because you sprayed yourself down with duck urine is tied to the entitlement of those who tried to murder Nancy Pelosi.

“We’d rather be lonely” is the most minimizing and trivializing read on the events of January 6. To understand that Axe would go without their body spray rather than be affiliated with the murderous nazis and that they still have time to indicate that it would make them lonely is grotesque. They still want you to know that if you don’t wear Axe Body Spray you won’t get laid . . . Axe sells entitlement and in this case, a multinational corporation’s PR team put it clearly that this one was too far (but all the other normal entitled crap will continue).

I think that whoever run’s Axe’s twitter handle might not get the depth of this moment. But then again neither did the men who came to DC to murder uppity women. For instance Cleveland Grover Meredith Jr. The investigating report indicates that he voluntarily showed Federal agents text messages planning to kill Speaker Pelosi.

“How much u give me to go trench the Capital lawn with ma big truk?” The other participant wrote, “Don’t do it.” MEREDITH replied, “I’m gonna run that CUNT Pelosi over while she chews on her gums.” Later in the conversation, MEREDITH wrote, “Dead Bitch Walking. I predict that within 12 days, many in our country will die.” (https://extremism.gwu.edu/sites/g/files/zaxdzs2191/f/Cleveland%20Grover%20Meredith%20Statement%20of%20Facts.pdf)

Misogynistic slurs have been uncovered and amplified in the quotes of those who drove to the capital heavily armed with a desire to do harm. The centrality of violence against women is really tied to the logic of the transgression of violating the capitol. The goal was similar to the early 1900s strategies of faux-assasination communications attentat – to illustrate the potential for somene to be harmed. To illustrate that a president or a king can be reached and to strike fear.

We could also examine this from the perspective of the domestic violence literature. Understanding the power and control wheel and the transgression of safe spaces to induce terror. Abusers will communicate in many small ways that the abused is not safe – including by invading previously safe space to communicate disempowerment.

There was no way to understand the photos of the dude with his feet up on the desk outside Speaker Pelosi’s office and his initial encounters with the press documenting his take on the event. Barnett is his name and we can match the entitlement and joy in transgressing with is deep hatred of a powerful woman.

BARNETT states “I did not steal it. I bled on it because they were macing me and I couldn’t fucking see so I figured I am in her office. I got blood on her office. I put a quarter on her desk even though she ain’t fucking worth it. And I left her a note on her deskthat says “Nancy, Bigo was here, you Bitch.” (https://extremism.gwu.edu/sites/g/files/zaxdzs2191/f/Richard%20Barnett%20Statement%20of%20Facts_0.pdf)

Donald Trump has articulated the hurt done to white men in several divisive ways, but the deeply sexist and racist framings he has presented seem to have tracked well with the people who showed up to do harm on January 6.

Challenging white supremacy means contesting the common-sense nature of the dialogue. Fragmented social media (where people can bury themselves in media which affirms their point of view) has reached a point of insulation – where it can protect harmful ideas from critique. This means that unpacking white supremacist (ill)logic means navigating the ways that sexism and racism co-create this moment of deep entitlement and violence.

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“Either unmarked or engraved, hey, who’s to say?” MF DOOM

It is hard to fathom the loss of DOOM (editing note – “all caps when you spell the man’s name”). I listened to a lot of MF DOOM and spent quite a few hours discussing, debating and analyzing his lyrics. I can’t capture the depth and weirdnesss of thoughts about DOOM in a single post – every time I sit down to outline this post I get a gigantic spider web of entwined themes.

Black america, slang, diaspora reflections, coded language in hip hop, sample choices, mocking, survivorship, graffiti, families, drugs and alcohol, masking, comic books, representation, sex, communication strategies and a million other threads travel through DOOM lyrics. All you can really do is pull some of those strings and hope that they spark meaningful thoughts.

So maybe we start with the fact that DOOM wrote about his death, his legacy and the fragile nature of human existence in his first song as DOOM.

Daniel Dumile emerged in the NYC hip hop sphere as MF DOOM for the potent first album Operation: Doomsday with the support of Bobbito Garcia and his indie record label Fondle ‘Em. Although Dumile had rhymed with KMD, this was a new incarnation for the artist with a new mask, lyrical style and stylized representation as a villain – exhaggerating every hip hop trope with double and triple entendres.

“On Doomsday/ ever since the womb/ ‘Til I’m back where my brother went, that’s what my tomb will say/ Right above my government: Dumile/ Either unmarked or engraved, hey, who’s to say?”

MF DOOM “Doomsday” from Operation: Doomsday.

Dumile’s brother Subroc was killed in a car accident the same week that his band KMD was dropped from Elektra shelving their second album Black Bastards. The band was fired because of the album cover art presenting the hanging of a Sambo character – symbolizing the birth of a new Afro-centric Black man who refused to perform demeaning roles. Cue Dante Ross.

How do you make art out of this kind of stuff? DOOM is honest about his own upcoming death in the chorus, then he names the stakes. It has been DOOM’s day (centered on him) and also a apocalypse/catastrophe (doomsday) from his birth until his death. His tomb might be engraved (famous) or he may finish his run on this earth as an un-acknowledged anonymous dead person but he is going to work.

It is a weird thing to put in the middle of your comeback/vengence album. But for DOOM life and death never seem all that far apart. This is the opening track (after the intro skit) an honored place in the hip hop album – the centerpiece to tell a consumer if they should buy the album. It might seem morbid, but this is life and death stuff and that crucible produces amazing art.

Doom reports that he made the album while semi-homeless, sleeping on couches, battling doubt and an industry that didn’t understand or like him. Which forced a very intimate album. The samples are friendly (if you like 80s and 90s RnB – DOOM and his friend’s limited record collections) and looped with careful MPC skill by the masked villain himself (as he writes in “Operation: Greenbacks” he owns the crown in “microphone, beats or the wheeles of steel”).

For me this song presents a declaration of his rebirth into a new world of DOOM. The song is an invitation to understand an artist’s use of the medium of hip hop to embody his own will to re-define and rearticulate himself. From a traumatized rejected creative artist who had tried to do the right thing (KMD) to a retaliatory bad-man who was beloved and could also pay his electric bill. That transformation came through intention, lyricism, imagination and the follow-through to make something happen.

We can imagine the tomb as an end piece – the final resting place – but we can also understand the tomb as a transition between worlds. Most mystery cults (and the saccharine descendants like the masons) use simulated burial, re-birth and re-naming as ritual symbols marking a person’s change by committing to the worldview.

In similar ways the end of KMD, ending of intimacy (you don’t get to see DOOM’s face after this) and the death of Dumile’s brother come to a focal point in this song’s chorus. Like a mystery cult burying an initiate in a stylized coffin suffused in incense and low lighting only to have them emerge reborn and shrouded in a new costume and given a new name.

For the comic book loving Dumile, it is also the birth of every significant bad guy character. It is Doctor Doom from the Fantastic Four comic book crafting his metal mask, studying esoteric magic and creating the character to plague the comic book heroes. It is a great story arc for an artist and Dumile could foster a literal mask to keep the public just far enough away from the actual pain while still talking explicitly about how much he missed his brother and was still angry at the journalists and record labels that had ruined he and his brother’s career.

The new DOOM, clad in the metal mask is ready to make fun of the goody goody rappers like KMD. Not only that, he wants their money, the credit and the praise. In his mini Jeopardy segment in the song, DOOM chooses the category “Means to the end” – he will do what needs to be done to get the money. He is “Bound to go three Plat / Came to destroy rap.”

Emerging as a villain from the tomb had to be liberating – and DOOM is free to drive off with sexy women, brag about his toughness in jail, mock the current so-called tough guy rappers and play with verbal expression without any limitations other than being the best. And that is what made him a villain in their eyes — and a hero in ours.

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Moral force against symbols of white supremacy: solidarity means sharing risk

At the heart of white supremacy is the request to those who get white skin privilege to take care of their own. White supremacy means that white people explicitly or implicitly give jobs, representations (front stage in advertising, leading roles in televisions shows) and foreground the needs and stories of white people. White supremacy is insidious because it is the water we drink every day in the United States and the casual continued comfort with the symbols of white supremacy (including the stars and bars) is evidence of how deeply twisted white supremacy is with american culture.

In 2015 Bree Newsome took down the confederate flag that flew in front of South Carolina’s statehouse. Here is the Vox footage from that direct action.

This is a really interesting case study for several reasons.

  1. Newsome’s use of biblical and constitutional rhetoric present a uniquely american rhetorical location for Black amercians – faith in God and indignant appeal to promised democracatic structures for equality (civil rights). Given the central location of separation of church and state in the first amendment, the combination of biblical scripture and civil rights might seem in tension. But Black churches have been central places for spiritual respite, cultural survival and political resistance in this nation. Which is why they have historically been targeted for violence. Newsome is climbing in the shadow of the Charleston South Carolina massacre in the The Emanuel African Methodist Episcopal Church where an avowed white supremacist murdered nine worshipers including the pastor and state senator Clemanta Pickney. Newsome puts the pieces together about historical violence and the context of the action in the Democracy Now interview:

2. I was at a lecture this month where the presenter noted this as a good example of white work for racial solidarity. James Tyson climbed the fence with Newsome and helped out with the action. The presenter called this collaborators, arguing that anti-racist work needed more white people interested in collaborating to make changes for racial justice. Others like Noel Ignatiev have noted that solidarity to fight racism means sharing risk and there are ways that this can be done performatively. Thinking, talking and strategizing about how to be productive and ethical allies to people of color means consideration. James Tyson shared in the risk (both got arrested), used his privilege (he argues with the police officers that Newsome should be allowed to come down the flagpole on her own for safety – he notes that “They had enough respect to allow me to help her.” in the Democracy Now interview).

3. The moral authority to remove the symbol of the confederate flag in this case is the justification for civil disobedience and direct action. Newsome is excellent on this point:

Thinking about changing white supremacy means all of the tools in the tool box. The cultural awareness, education, political action, stunts, celebrity endorsements and militant actions will be necessary. This long-standing constellation of white supremacist narratives that have sustained inequality and injustice as normal by stretching and re-articulating violence as community care for people who are like you. To move away from that requires mental and political work. Taking note of the keystones and approaches that can inform the work to come is useful.

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Information literacy as self defense: COVID-19 edition

The election of 2016 marked an deep downward pull for American democratic traditions. After the election the institutions that make up government became under attack by the President and the cabinet members. Each American agency seems to have been sapped of leadership, undercut, and in many cases, the people working at the State Department or the NEH found themselves directed to work 180 degrees opposite the purpose of the agency. The Environmental Protection Agency for instance:

EPA Administrator Andrew Wheeler, a former coal lobbyist, said he was freeing oil and gas companies from “burdensome and ineffective regulations.” By rolling back an Obama-era policy designed to curb gas leaks at pipelines and wells, the EPA administrator was essentially giving energy companies the go-ahead to release much more climate-warming methane into the atmosphere.

MSN – https://www.msn.com/en-us/news/politics/another-giveaway-to-polluters-from-the-trump-epa/ar-BB18ecp1

Let’s not pretend that the United States confidence in government was very strong before all this. But you pile on the increasingly refined ways that people gather news and form opinions and the genuine cynicism that everyone seems to share, and we face a deeper problem.

We risk losing the inability to discern fiction from truth – (and I’m a postmodernist), or the ability to debate complex ideas. I’m sure that the basic skills still exist on college campuses and the nod toward some shell of debate and rigorous argument can be found in corners of youtube.

Joshua Yaffa writes in the New Yorker about the continued focus on Russian propaganda (Yaffa outlines how much of this should be considered a threat) and the more problematic impact of the President and Fox News reporters muddying the waters over the significance and response to Covid-19.

Yaffa writes: “When it comes to COVID-19, the apparent result of the combined disinformation campaign of Trump and Fox News has been devastating. A working paper released by the National Bureau of Economic Research in May analyzed anonymous location data from millions of cell phones to show that residents of Zip Codes with higher Fox News viewership were less likely to follow stay-at-home orders. Another study, by economists at the University of Chicago and elsewhere, suggested a disparity in health outcomes between areas where Fox News viewers primarily tuned in to tucker Carlson, who, among Fox hosts, spoke early and with relative urgency about the danger of COVID-19, and places where viewers preferred Sean Hannity, who spent weeks downplaying its severity. The economists found that in March, viewership of Hannity over Carlson, in the locales they studied was associated with a thirty-two-per-cent increase in infections, and a twenty-three-per-cent increase in COVID-19-related deaths

(Yaffa, Joshua.”Believe it or Not.” New Yorker. September 14, 2020, p. 29)

With these kinds of numbers, we need to be making the connection that information literacy is a public health investment. In 2020 being able to discern if a source is lying to you is a survival skill. Fortunately it is one that a couple of hundred thousand teachers can resolve with some investment and support.

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Herbert Marcuse in California

Wonderful documentary on Herbert Marcuse during his years at UC San Diego. Filled with potent engagement, thoughtful analysis and a political read on the culture wars against universities.

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21st Century Boycott: Fox News, O’Reilly, retaliation and institutional protection for sexual harassment

I appreciate the strong reporting in the New York Times article: “Bill O’Reilly thrives at Fox News even as harassment settlements add up.”  Authors Emily Steel and Michael S. Schmidt cover the systematic protection of Bill O’Reilly who comes off as a serial predator.

The article looks at five settlements that have been paid to women who have alleged and often documented harassment from the Fox News star.  Two of the settlements were known, but three were uncovered by Steel and Schmidt.

The article is phenomenal journalism and highlights the pattern of toxic behavior and the costly efforts to retaliate against those who have complained.   This is a good opportunity to examine some of the patterns of retaliation that were visible in this article.

Most of the women who complained were threatened with professional harm when they didn’t comply with threats or when they came forward.  Andrea Mackris filed a sexual harassment suit against O’Reilly in 2004.  The New York Times article describes the retaliatory threats:

“Two years later, allegations about Mr. O’Reilly entered the public arena in lurid fashion when a producer on his show, Andrea Mackris, then 33, filed a sexual harassment lawsuit against him. In the suit, she said he had told her to buy a vibrator, called her at times when it sounded as if he was masturbating and described sexual fantasies involving her. Ms. Mackris had recorded some of the conversations, people familiar with the case said.

Ms. Mackris also said in the suit that Mr. O’Reilly, who was married at the time (he and his wife divorced in 2011), threatened her, saying he would make any woman who complained about his behavior “pay so dearly that she’ll wish she’d never been born.”

Fox News and Mr. O’Reilly adopted an aggressive strategy that served as a stark warning of what could happen to women if they came forward with complaints, current and former employees told The Times. Before Ms. Mackris even filed suit, Fox News and Mr. O’Reilly surprised her with a pre-emptive suit of their own, asserting she was seeking to extort $60 million in return for not going public with “scandalous and scurrilous” claims about Mr. O’Reilly.

“This is the single most evil thing I have ever experienced, and I have seen a lot,” he said on his show the day both suits were filed. “But these people picked the wrong guy.”

A public relations firm was hired to help shape the narrative in Mr. O’Reilly’s favor, and the private investigator Bo Dietl was retained to dig up information on Ms. Mackris. The goal was to depict her as a promiscuous woman, deeply in debt, who was trying to shake down Mr. O’Reilly, according to people briefed on the strategy. Several unflattering stories about her appeared in the tabloids.

After two weeks of sensational headlines, the two sides settled, and Mr. O’Reilly agreed to pay Ms. Mackris about $9 million, according to people briefed on the agreement. The parties agreed to issue a public statement that “no wrongdoing whatsoever” had occurred.”

Emily Steel and Michael S. Schmidt. “Bill O’Reilly thrives at Fox News even as harassment settlements add up.” April 1, 2017. New York Times.

It is worth noting the techniques used to attack the victim.  The perpetrator attacks the survivor personally, the company defends the perpetrator with a heavy-handed lawsuit, and the company hires a PR firm and private investigators to destroy the survivors reputation.

And then they settle.  That means that all the personal attacks and reputation smearing that ruin someone’s life were essentially pressure to beat someone down so they will take less money for their silence.  I can imagine the meeting where someone at 21st Century Fox has to run the numbers on how much they could save in destroying the lives of sexual harassment survivors.

The cost-benefit-analysis strategies of corporations who decide to try to ruin the reputations of employees who come forward to complain about sexual harassment may undervalue the public relations costs of being associated with a serial rapist or a serial harasser.

The Brock Turner survivor letter, Emma Sulkowicz and the performative mattress carry, an Obama/Biden administration with a robust advocacy for Title IX have changed public opinion about sexual harassment and rape.   The ascendance of a generation of young activists like Know your IX committed to fighting rape culture will not return to the cover-up and blame-the-victims days.

Which means that large corporations who are in the business of making money are going to have to factor in what explicit boycotts and affiliated bad PR will cost them when they defend a prominent figure like Bill O’Reilly and Roger Ailles.

It seems grotesque that an institution would protect a serial predator because they make the business a lot of money.  Steel and Schmidt’s expose does a good job documenting how much advertising revenue O’Reilly’s show pulls in ($446 million from 2014-2016).  So what would a boycott have to cost the parent company to dump O’Reilly?   A couple of hundred million dollars?

More importantly, I wonder how little effort it would take for people on social media to destroy the 21st Century brand.  A dozen volunteers could watch O’Reilly’s show, note advertisers and then illustrate businesses which give money to support victim-blaming.  Simply posting the New York Times article in the publicity threads for each new 20th Century Fox blockbuster movie would convince me to spend my movie money elsewhere.   Artists who might record soundtrack music for Fox Music can be gently reminded through fan pages or tweets about the retaliatory behavior of the parent company.

Steel and Schmidt’s article is a good piece of investigative journalism that makes visible the retaliatory behavior of one of the largest companies in the world.  It also exposes how much the company has to lose if they mishandle the public relations associated with their brand being tainted by O’Reilly’s harassment lawsuits.

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Filed under capitalism, communication, gender, media, protest, representation, resistance, sexism, sexual assault

#Blacklivesmatter and Militarized police responses to protest

Baton Rouge Police officer points machine gun at peaceful crowd. Photo by David Lohr/Huffpost

Astounding images of militarized responses to peaceful protestare emerging from the July actions against police violence.  Stunned by the graphic videos of the police killing Philando Castile in Minnesota and Alton Sterling in Baton Rouge Louisiana many people have taken to the streets to express their outrage.   They have been met with police seemingly ready for confrontations.

While thinking about heavy-handed police responses  it is essential to consider the killings of police officers in Dallas.  Police were covering a peaceful #blacklivesmatter rally when they were shot.  Five officers were killed and seven people were shot by a sniper unaffiliated with the movement.  I can imagine that the police are looking for enemies around every corner.

I hold both things true at the same time.  I mourn the dead and hurt police officers in Dallas.  I mourn the black people killed by police officers.

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DeRay McKesson was arrested in Baton Rouge last night.  You may have seen the photo of his arrest.

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DeRay McKesson getting arrested in Baton Rouge. Photo by Max Becherer AP.

Mckesson is a prominent Black Lives Matter activist who had traveled to Louisiana to document the protests.  One of hundreds arrested, Mckesson was filming when he was tackled by two police officers while walking on the side of the road.  The New York Times reports:

Mr. McKesson, 31, repeatedly tells viewers in the broadcast that there is no sidewalk where they are marching. In the background, an officer can be heard shouting, “You with them loud shoes, I see you in the road. If I get close to you, you’re going to jail.”

“I think he’s talking to me, y’all,” says Mr. McKesson, who often wears a blue vest and red sneakers to demonstrations.

Soon after, Mr. McKesson repeats that there is no sidewalk. “Watch the police, they are just literally provoking people,” he says.

Then, about five minutes into the broadcast, the video gets shaky and a police officer can be heard saying: “City police. You’re under arrest. Don’t fight me. Don’t fight me.” Then Mr. McKesson shouts, “I’m under arrest, y’all.”

Source: DeRay McKesson Among Protesters Arrested Nationwide – The New York Times

This seems like a targeted grab to arrest a spokesperson.  An arrest to intimidate and bully a journalist.  It also seems to be a particularly military response to activists calling attention to disparate racial policing.   Police have to know that these gun-waving, activist tackling moments make them look irrational and violent.

So many of these arbitrary and scary arrests appear to intentionally silence people.   A protester was doing an interview with Rochester journalist Tara Grimes when she was charged and grabbed and arrested by a circle of armored police officers.

These images are not inspiring.  I hope for civil dialogue and rapid cultural change.  But along the way we are going to have to document the logic and reasoning of these moments of militarized policing and hold them accountable.  I think public visibility is the only hope we have. I bet it will be hard, but it is necessary that communities continue to insist on respectful engaged police.

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Best arguments from the supreme court hip hop brief

I grew up with the notion that hip hop was opposition to mainstream culture.  Regardless of lyrical content, hip hop (and hip hop fans) were deeply mocked and policed for years.  Rappers might have been saying mundane things but if you rhymed over beats, you carried the weight of the genre.

You could get in trouble for playing hip hop lyrics.  Radio stations would proudly broadcast that they played everything “except rap.”  There was a kind of stigma that stuck with hip hop artists and fans.   Hip hop concerts weren’t booked at Madison Square Garden until Jay-Z broke through with the Black Album.

It seems so clearly racist from my current perspective.

We might add in capitalism.  The nineties saw a rush to absorb, market and exploit hip hop culture by advertisers.  The stereotypes and old discourse lingered as hip hop became mainstream culture.

It doesn’t surprise me that the choice of hip hop as a medium stigmatizes the participant.  (It saddens me).

Taylor Bell, a thoughtful high school senior was informed that two PE coaches were commenting and touching female students, Bell wrote a rap song.  Instead of praising this whistle blower, Bell was kicked out of school and had to go to an alternative school for his senior year.

His eventual lawsuit hinges on the ability of a high school student to express their political views outside of school.  This seems like a first amendment no-brainer to me . . . so of course it is before the Supreme Court.

Killer Mike (Michael Render), Erik Nielson, Travis Gosa and Charis E. Kubrin submitted an supporting brief to the court.  Here are my favorite parts:

  1.  It is actually the bad words that disturb administrators, not the report of sexual harassment.

Following a lengthy decision-making process, Bell was suspended and sent to an “alternative school” by the school’s Disciplinary Committee. A Committee member suggested that Bell’s use of profanity in the song was the reason for his suspension: “Censor that stuff. Don’t put all those bad words in it . . . The bad words ain’t making it better.”

Source: Microsoft Word – 151206 Taylor Bell amicus 12-17-15.docx – Taylor-Bell-Amicus.pdf

2.  Hip hop is an alternative to fighting.

Hip hop—a cultural movement comprised of performance arts such as MCing (“rapping”), DJing (“spinning”), breakdancing (“b-boying”), and graffiti (“writing”)—began as a response to these dire conditions. Pioneers like Afrika Bambaataa (once a gang leader himself) used spiritual and political consciousness (“knowledge of self”) to develop hip hop as a tool for ending gang violence by providing an outlet that transformed the inherent competitiveness and territoriality of gang life into something artistic and productive. Dance competitions, rap battles, and other competitive performances replaced actual fighting , and rap in particular eventually became an alternative, legal source of income for blacks and Latinos otherwise cut off from labor market opportunities. Travis L. Gosa, The Fifth Element: Knowledge , in T HE CAMBRIDGE COMPANION TO H IP -H OP 56, 58-61 (Justin A. Williams ed., 2015).

Source: Microsoft Word – 151206 Taylor Bell amicus 12-17-15.docx – Taylor-Bell-Amicus.pdf

3.  Bell was intending to spread the word via hop hop.

Like Tupac Shakur, Taylor Bell was using his music to effect changes . In the final portion of the video for his song PSK da Truth , Bell says that in rapping about sexual misconduct at his high school, he is trying to raise awareness about similar injustices around the world: “It’s something that’s been going on, you know, worldwide for a long time that I just felt like, you kn ow, I needed to address.”

Source: Microsoft Word – 151206 Taylor Bell amicus 12-17-15.docx – Taylor-Bell-Amicus.pdf

4.  Threatening gun metaphors are widely used in hip hop.

When Bell raps, “fucking with the wrong one gon’ get a pistol down your mouth (Boww!),” he is channeling well-worn phrases used by popular and established artists like Lil Wayne (“Pistol in your mouth, I can not make out what you tryin’ to say”), Gucci Mane (“Put the pistol in ya mouth like dentures”), Waka Flocka Flame (“Niggas know I got a pistol in his mouth”), E-40 (“Put the pistol in his mouth and make it hurt, ooh”), and Scarface (“Put a pistol in his mouth, and blow his fucking brains out”). L IL WAYNE , Bill Gates, on I A M  NOT A HUMAN BEING (Young Money, Cash Money & Universal Motown 2010); GUCCI MANE , Texas Margarita, on BRICK FACTORY : VOLUME I (available for download from http://www.livemixtapes.com 2014); WAKA FLOCKA FLAME , Where It At, on DU FLOCKA RANT : HALF -TIME S HOW (available for download on http://www.livemixtapes.com 2013); SCARFACE , Diary of a Madman, on M R . SCARFACE IS BACK (Rap-A-Lot Records 1991); E-40, It’s On, On Sight, on T HE ELEMENT OF SURPRISE (Jive & Sick Wid It Records 1998).

Source: Microsoft Word – 151206 Taylor Bell amicus 12-17-15.docx – Taylor-Bell-Amicus.pdf

5.  Discourse influences stereotypes about hip hop: experimental studies

A handful of studies have examined the direct impact of these stereotypes. In these studies, people who are given identical sets of lyrics—but who are told these lyrics come from different musical genres—are asked about their perceptions of the lyrics. One study, for example, presented respondents with sexually explicit rap lyrics or sexually explicit non-rap lyrics. Importantly, the researchers discovered that the sexually explicit music was considered more offensive and less artistic when it was rap compared to when it was non-rap. Dixon & Linz, supra , at 234-35.

In a related study, participants read a set of lyrics from folk group Kingston Trio’s 1960 song, Bad Man’s Blunder , and were told that the lyrics were either from a rap or country music song. After reading the lyrics, participants evaluated them and responded to questions about the offensiveness of the song, the threatening nature of the song, the need for regulation of the song, and if the song would incite violence. The responses were significantly more negative when the lyrics were represented as 24 rap, revealing that the same lyrical passage viewed as acceptable in a country song is considered dangerous and offensive when identified as a rap song. Carrie B. Fried, Who’s Afraid of Rap: Differential Reactions to Music Lyrics , 29 J. A PPLIED SOC . PSYCH . 705, 711 (1999).

All of this research reveals that stereotypical assumptions play a far greater role in our decision- making than we may realize. And some of this stereotyping may account for what happened in this case. If we don’t work to acknowledge and, when necessary, combat these stereotypes, the consequences can be serious and life altering— particularly for a young man like Taylor Bell.

Source: Microsoft Word – 151206 Taylor Bell amicus 12-17-15.docx – Taylor-Bell-Amicus.pdf

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I think this brief is a strong set of arguments.  It also makes several key arguments about hip hop and metaphoric violence that need further discussion.  Good opportunity for amplification and discussion.

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Filed under capitalism, communication, hip hop, music, punishment, representation, resistance, rhetoric, sexism