There are a lot of smart insights in this Bluestockings interview with Mimi Thi Nguyen. Feministing shared the link and gave me the heads up that there was some discussion of guilt and professional expectations in the essay. Nguyen seems persuasive to this punk professor when she writes:
The disjuncture then comes when I consider how we are encouraged to carry ourselves in the academy. I feel a lot of pressure to professionalize, and the prescriptions for professionalization often run counter to my way of being in the world. I also struggle with the directive that I am supposed to professionalize my students. I don’t hold with the idea that I should train students to be better workers, because the content of “better” — more obedient, more efficient, whatever — runs counter to what I want to teach. In my feminist theories courses, I say, “Yeah, I just gave you assignments with deadlines! But I also want to say to you, what’s so great about work? Why do we believe work is supposed to be edifying? Should we always have to be productive? Why do we imagine work as something that gives us dignity? What if it’s just wearing us down?” My history in punk totally informs these attempts to practice other ways of being in a classroom, and other ways of being a professor.
via (Un)productivity in the Digital Age — A Conversation with Mimi Thi Nguyen | Bluestockings Magazine.
Like Nguyen I was a reader of Maximum Rock and Roll since my teens. I was deeply informed by the DIY spirit and raw love of music and counterculture that ran through MRR. Along with that inspiring freedom were some toxic interview discussions and columns that also were a big part of MRR. I remember a particularly racist / sexist sex column, perhaps from Mykel Board? Nguyen as a young punk writes MRR and challenges the columnist for MRR and gets a hateful column in reply. The scrap with MRR inspires her to create her own zine Race Riot.
The impetus for Race Riot came when a columnist at Maximum Rockandroll wrote about his Asian fetish, suggesting that Asian women’s eyelids look like vulva, and that their vulva might be also horizontal. It is an old imperial joke — there are all kinds of imperial jokes about how racial, colonial women’s bodies are so inhuman that their genitalia might reflect this alien state. I wrote a letter to Maximum, cussing and citing postcolonial feminist theory. He then wrote a lengthy column in response about how though I’m Asian, because I’m an ugly feminist, he wouldn’t want to fuck me anyway. There was a discussion at the magazine about whether or not to publish this column because the magazine had a policy — no racism, no sexism, no homophobia. But the coordinator and founder of the magazine decided that this column qualified as satire, and so it was acceptable.
It was really infuriating for me to be 19 years old, totally invested in punk and politics, to be attacked under the guise of racist cool in the punk magazine. I was like, “Fuck it, I’m quitting punk.” But I figured I should do something, to leave something behind as a practice and as a document, to reach other punks of color who might feel as isolated as I did in the aftermath.
via (Un)productivity in the Digital Age — A Conversation with Mimi Thi Nguyen | Bluestockings Magazine.
I know a lot of punks who saw the academy as a reasonable place to continue thinking about punk praxis. Or more particularly, many of us go to an academic job and are reasonably punk in that and other parts of our lives. Many of the punks I knew are still working with intentional collectives, creating media, hosting shows, playing music, creating alternative spaces and doing-it-themselves. I’ll give a shout out to my friend Zack Furness and his book Punkademics. I think you can read the whole book at Minor Compositions.
I’ll note my appreciation and agreement with Nguyen’s analysis of internet communications and the need for pauses for reflection. She argues:
New technologies have produced expectations that we now have more democratic access to more knowledge, and that we must accommodate ourselves to an accelerated sense of time. But I am wary of this internalization of capital’s rhythms for continuous consumption and open-ended production. I hate feeling obliged to produce a post or tweet on a timetable. It makes me anxious. There is value in being about to respond quickly to an object or event, of course, but I also want to hold out for other forms of temporal consciousness, including untimeliness and contemplation of deep structures, sitting with an object over time to consider how it changes you, how the encounter with it changes the nature of your inquiry.
via (Un)productivity in the Digital Age — A Conversation with Mimi Thi Nguyen | Bluestockings Magazine.
Good interview and strong arguments.
Cannibal Capitalism the Birdman edition
Photo of Birdman’s RG (perhapsRich Gang) and YMCMYSL (perhaps Young Money Cash Money Young Stoner Life) tattoos. Thanks to The Smoking Section for the photo, I assume taken from Birdman’s social media.
Birdman is trying to sign Young Thug to his record label. To prove his sincerity he tattooed several Young Thug associated tattoos on his hands and face.
Cannibal capitalism is the mediated experiences of human suffering projected for human entertainment and profit. It is obvious that the bodily impact of Birdman’s tattoos is a particular kind of communication. Tattoos have often been the indication of long-term committment for gangs, military units and fans of musical artists. Birdman’s tattoo is amplified on social media and through dozens of rap blogs. It is a public communication of his commitment intentionally articulated to bring his company more profit (by signing a strong young artist).
In some ways the suffusion of cannibal capitalism into many so-called reality television shows (cooking shows, real estate flippers) is an indication of the desperation of many people. But Birdman isn’t desperate (not in the poverty sense) — he can give expensive cars and jewelry to friends and label-mates. I heard on NPR he just gave a Bugatti to Justin Beiber.
Fleeting fame and the potential for profit have encouraged more than one reality TV contestant to become a public exercise in morality and exclusion. (Did you hear about Stephanie on Top Chef when she cut herself and she went to the hospital?!?! How about that Survivor episode where that guy broke his leg? What a wimp!)
Cannibal capitalism can be mapped whenever a human is harmed and it is filmed and amplified for other people’s pleasure. When this happens a particular morality of self-sacrifice is usually articulated. Announcers and other contestants express just how someone should take the suffering. In some ways the harm done to the body gives access to comment on the body.
In the case of Birdman’s new tattoo’s the morality expressed isn’t how tough Birdman was for getting the ink, but rather how idiotic it is to tattoo to something as fleeting as a new potential corporate rap alliance. Here is the Smoking Section‘s Gotty mocking the social costs of multiple face tattoos.
We recognize that the fact that Birdman will never have to go to a job interview ever in his life. The Cash Money CEO’s so loaded his kids kids most likely will never have to worry about working either. With that said, his continuing effort to ink his whole body with scribblings dedicated to Cash Money subsidiaries is a little odd.
Actually, the “RG,” presumably for his Rich Gang management company, added to his right cheek isn’t that bad because what the hell would two more letters do to a face littered in tats? It’s the “YMCMYSL” scripted on his fingers that doesn’t make sense. Assuming the letters rep Young Money Cash Money Stoner Life as in Young Thug’s movement, that’s more confusing.
via Birdman Permanently Pays Homage To Young Thug | The Smoking Section.
Leave a comment
Filed under capitalism, communication, hip hop, music, representation
Tagged as Birdman, Birdman and cannibal capitalism, Birdman tattoo, Birdman tattoos alliance, cannibal capitalism, cannibal capitalism and hip hop, face tattoos and morality, moral commentary mediated harm, suffering and hip hop morality, tattoo, tattoos to communicate commitment, The Smoking Section, Young Thug