Category Archives: colonialism

Corrupt cops Miami Gardens version

Cops gone wild – where they arrest anyone who has ever criticized them.  Like a convenience store clerk who regularly gets arrested for trespassing WHILE HE IS AT WORK!

Earl Sampson has been stopped and questioned by Miami Gardens police 258 times in four years.

He’s been searched more than 100 times. And arrested and jailed 56 times.

Despite his long rap sheet, Sampson, 28, has never been convicted of anything more serious than possession of marijuana.

Miami Gardens police have arrested Sampson 62 times for one offense: trespassing.

Almost every citation was issued at the same place: the 207 Quickstop, a convenience store on 207th Street in Miami Gardens.

But Sampson isn’t loitering. He works as a clerk at the Quickstop.

So how can he be trespassing when he works there?

via In Miami Gardens, store video catches cops in the act – Miami Gardens / Opa-locka – MiamiHerald.com.

The convenience store owner had to install video cameras to track the cops.  What did he find?

Saleh was so troubled by what he saw that he decided to install video cameras in his store. Not to protect himself from criminals, because he says he has never been robbed. He installed the cameras — 15 of them — he said, to protect him and his customers from police.

Since he installed the cameras in June 2012 he has collected more than two dozen videos, some of which have been obtained by the Miami Herald. Those tapes, and Sampson’s 38-page criminal history — including charges never even pursued by prosecutors — raise some troubling questions about the conduct of the city’s police officers.

The videos show, among other things, cops stopping citizens, questioning them, aggressively searching them and arresting them for trespassing when they have permission to be on the premises; officers conducting searches of Saleh’s business without search warrants or permission; using what appears to be excessive force on subjects who are clearly not resisting arrest and filing inaccurate police reports in connection with the arrests.

via In Miami Gardens, store video catches cops in the act – Miami Gardens / Opa-locka – MiamiHerald.com.

Salah, the store owner believes that the drive to arrest the poor black neighbors is driven in part by the need to have arrest statistics.

Saleh theorizes that it’s an easy way for the department to make it seem like they are making a large number of arrests.

“They have specialized units to combat crime and they need to bring in the numbers to justify those units,’’ Saleh said.

via In Miami Gardens, store video catches cops in the act – Miami Gardens / Opa-locka – MiamiHerald.com.

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Filed under colonialism, human rights, police

Otherizing culture through food

Soleil Ho has a nice critique in Bitch Magazine of some trends of cultural simplification and racism in food culture.  I like her salty tone.  She kicks off the discussion with the one directional consumption/service relationship of immigrant cultures reduced to food.  Wondering what to reply when someone mentions to the author ‘Oh you’re Vietnamese, I love pho’:

What can one say in response? “Oh, you’re white? I love tuna salad!” It sounds ridiculous, mostly because no one cares if a second-generation immigrant likes American food. Rather, the burden of fluency with American culture puts a unique pressure on the immigrant kid. I paid attention during playdates with my childhood friends, when parents would serve pulled-pork sandwiches and coleslaw for lunch. (It took me a long time to understand the appeal of mayonnaise, which, as a non-cream, non-cheese, non-sauce, perplexed the hell out of me.) From watching my friends, I learned to put the coleslaw in the sandwich and sop the bread in the stray puddles of sauce in between bites. There’s a similar kind of self-checking that occurs when I take people out to Vietnamese restaurants: Through unsubtle side glances, they watch me for behavioral cues, noting how and if I use various condiments and garnishes so they can report back to their friends and family that they learned how to eat this food the “real way” from their real, live Vietnamese friend. Their desire to be true global citizens, eaters without borders, lies behind their studious gazes.

via Craving the Other | Bitch Media.

Ho seems insulted by the notion that you might be able to get at something essential or authentic in the culture by eating take-out food.  She makes a strong argument here.

Like a plague of culture locusts, foodies, Chowhounders, and food writers flit from bibimbap to roti canai, fetishizing each dish as some adventure-in-a-bowl and using it as a springboard to make gross generalizations about a given culture’s “sense of family and community,” “lack of pretense,” “passion,” and “spirituality.” Eventually, a hole-in-the-wall reaches critical white-Instagrammer mass, and the swarm moves on to its next discovery, decrying the former fixation’s loss of authenticity. The foodies’ cultural cachet depends on being the only white American person in the room, braving inhumane spice levels and possible food poisoning in order to share with you the proper way to handle Ethiopian injera bread. But they can’t cash in on it unless they share their discoveries with someone else, thereby jeopardizing that sense of exclusivity. Thus, happiness tends to elude the cultural foodie.

via Craving the Other | Bitch Media.

She is particularly good at pointing out the harms of reducing a culture to food.

Over time, you grow to associate nationalities with the quaint little restaurants that you used to frequent, before they were demolished and replaced with soulless, Americanized joints. You look at a map of the world and point a finger to Mongolia. “Really good barbecue.” El Salvador. “Mmm, pupusas.” Vietnam. “I love pho!\” When you divorce a food from its place and time, you can ignore global civil unrest and natural disasters (see: Zagat declaring Pinoy cuisine the “next great Asian food trend” this past fall as deadly floods swept through the Philippines), knowing as you do that the world’s cultural products will always find safe harbor in your precious, precious mouth.

via Craving the Other | Bitch Media.

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Filed under colonialism, cultural appropriation, food, representation

Brasilintime: culture and syncretism

Hip hop syncretism — the aggressive combinations of sounds and players from many cultures.  Here visible in the nice B+ film — Brasilintime w/ a cadre of great drummers and DJs.   It includes:

–> One of the best examples of cultures appropriating culture ad infinitum when Jay Rocc cuts up “Apache.”

–> The Brazilian parallel with “Comanche!”

–> Not enough Nelson Triunfo.

–> Babu’s scratch session which seems the most inspired and flexible — connected to the music.

–> Paul Humphrey and Ivan “Mamao” Conti seem to jam exceptionally well together.

–> The inspired chaos of the polyrhythms made when six drummers get down and DJs cut on top of each other is a little much at times.  Maybe my ears aren’t big enough . . .

–> The graphics seem excessive in the first half.

–> Hip Hop’s version of the colonial lens includes shopping for rare records in the field.  American learning is commensurate with getting a bargain or getting something that other people can’t as easily get.  In this case we get Paul Humphrey, Derf Reklaw and James Gadson shopping for out-of-the-ordinary percussion instruments and Cut Chemist, Egon, Madlib, Jay Rocc, and Babu shopping for records.

In some ways we can call this syncretism — where distinct cultures inform each other – exchanging language, food and music.  The nod to difference that comes when the American DJs and drummers acknowledge they don’t know something about Brazilian music is matched by the assumption that they can buy and lift chunks of that music for western audiences.

I don’t have any problem with people traveling to other nations — there is something funky about this particular narrative — hunting for nuggets of music seems so crass at points.  Like Egon getting the group price for all the records the crew was buying.

I dislike it when the specifics of the culture blend into the background and I like the moments of the film where the details pop out.  The interviews with Brazilian drummers make this film (despite my linguistic inabilities to get chunks).  I’ll probably mark some cue points in the video and chop it up — take the parts that I like and leave the rest on the digital scrap heap.

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Filed under colonialism, cultural appropriation, funk & soul, hip hop, music

Fela Kuti: Music is the weapon documentary

Consider this a juxtaposition to the clip about Paul McCartney and Fela.  Here is Fela narrating a portion of his life.  Included in this film are some great musical moments and some insights about what made Fela so dangerous.

In my opinion the liberated space he embodied and willingness to share risks make him a poignant anti-colonial force.   Of course I have problems with Fela’s sexism, but the quotes from the queens in this film give us some insight into their experience.

Of course when you google “Fela’s queens” you get western women reprising the roles of the women who married and risked with Fela.  Perhaps this is colonialism, that I can’t find any interviews with the “queens,” but I can find interviews with Americans playing Fela’s wives on broadway.  Some communications pushes out other communications.

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Filed under colonialism, communication, documentary, feminism, funk & soul, human rights, juxtaposition, music, protest, race, representation

The only white people there: Paul McCartney plays Fela Kuti

If you are interested in culture and race then your ears perk up any time anyone says: “we were the only white people there!”

How these kinds of things sound to ANYONE who isn’t WHITE?   It sort of embodies the kind of toxic insider racist/sexist/colonialist commentary of one insider to another.  I imagine one rich white bank guy leaning over to another rich white banker at a swank lunch to mock people starving in Bangladesh.

But to assume that everyone on the other side of the camera . . .or that everyone listening sympathizes with your own privileged skin color is so toxic that it can only be understood through the sad awareness that much of mass mediated story-telling has been narrated through a particularly white and colonial lens.

It is honestly hard to notice colonialism from the location of the privileged.  So I appreciate whenever an artist or politician, or a hip hop pioneer explains that they were the only white person at a key point in history.

Also an important clip because of the explicit conversation about jacking African music and perhaps the single greatest responses to the accusation of colonialism: “hey man, c’mon!  I’m not doing that.”

Thanks to OkayAfrica for the video.

 

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Filed under colonialism, cultural appropriation, music, representation

Juxtaposition: Nike

Artifact one: Cambodian Nike factory fires 300 striking workers. 

Around 300 workers on strike for better pay at a Nike factory in Cambodia have lost their jobs. A union spokesperson said the fired workers’ dismissal letters cited their involvement in the strike, which seeks a wage hike of $14 a month. Although the vast majority of the factory’s 5,000 workers have taken part in the strike, many have begun returning to work after over three weeks off the job. It’s the 48th strike by Cambodian garment workers this year, more than in the entire years of 2010 or 2011.

via Headlines for June 12, 2013 | Democracy Now!.

Artifact two: Nike Air Foamposite One

Nike’s showing no signs of slowing down with Foam releases, but why should they? The Foamposite One’s received a ton of love at retail for the past year with even the most absurd color schemes ending up selling well. And when this sport royal-game royal-wolf grey colorway hits retail – especially in a hue that’s Orlando-themed – they’re likely to join the ranks of this year’s most wanted footwear.

via Coming Attractions: Nike Air Foamposite One “Sport Royal” | The Smoking Section.

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Filed under colonialism, fashion, human rights, juxtaposition, propaganda, resistance

Military and toxic waste: ghost fleet

Don’t forget that the most significant polluter in United States history is the nation’s armed services.  Scott Haefner and some colleagues snuck aboard decommissioned boats in the Navy fleet near San Francisco.  Haefner notes:

The ships have shed more than 20 tons of toxic paint debris that have settled into bay sediments, where they will cause problems long after the ships are gone. Even though Congress and the State of California ordered MARAD to address the situation, nothing was done for most of the past decade. Lawsuits filed by environmental groups were also unsuccessful in forcing MARAD to remove the ships. However, after Barack Obama took the Oval Office in 2008, the tide shifted and MARAD began working diligently to clean up and remove the ships.

via Inside the Ghost Ships of the Mothball Fleet | Beyond the Photos.

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Filed under colonialism, disaster, health, learning

Ten Frisk Commandments: Jasiri X

Yes. Yes. Yes. Yes. Yes. Yes (of course sometimes you gotta run). Yes. Yes. Yes. Yes.

Stay free y’all.

Salute to Jasiri X!

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Filed under colonialism, communication, drugs, hip hop, human rights, juxtaposition, learning, media, music, police, prisons, race, representation, resistance, Surveillance

Reading disasters through museums:They’re burning the stuff we haven’t stolen yet!

The new crisis in Mali reminds me of the Taliban destroying priceless Buddhist statues.  In case you didn’t see it, extremists in Mali burned an archive of historical records and old manuscripts.

Seydou Traoré, who has worked at the Ahmed Baba Institute since 2003, and fled shortly before the rebels arrived, said only a fraction of the manuscripts had been digitised. “They cover geography, history and religion. We had one in Turkish. We don’t know what it said.”

He said the manuscripts were important because they exploded the myth that “black Africa” had only an oral history. “You just need to look at the manuscripts to realise how wrong this is.”

Some of the most fascinating scrolls included an ancient history of west Africa, the Tarikh al-Soudan, letters of recommendation for the intrepid 19th-century German explorer Heinrich Barth, and a text dealing with erectile dysfunction.

via Timbuktu mayor: Mali rebels torched library of historic manuscripts | World news | guardian.co.uk.

Of course the loss of history is tragic.  And we shouldn’t burn books.  But beyond this is the preference to simplify another culture and place through colonial loss — in essence we should be enraged that human history is being destroyed.  In my opinion this hinges on a universal humanist version of history — one where all the stories of the world are foundations for the great story of the west.

Although destructive and thoughtless, it seems as though the west is more concerned about the ideas of people of the region that were recorded four hundred years ago than those expressions of anger in 2013.  This temporary colonial perspective would probably elicit awkward old school colonialist answers to global problems.

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Filed under colonialism, disaster, learning, protest, representation

Donna Haraway reads National Geographic part 2

Astounding.

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Filed under academics, Animals, colonialism, communication, feminism, learning, media, nature, representation