Category Archives: media

Chelsea Manning on direct action and risk

Time Magazine gave Chelsea Manning some space and she makes some good arguments.  A political prisoner who uses her access to media to talk about complicated ideas.  Complicated ideas like direct action, accountability, violence to native nations, class, risks associated with solidarity, killing activists, and the movement. Here is the whole thing.  Stay real america.

I’m usually hesitant to celebrate Thanksgiving Day. After all, the Puritans of the Massachusetts Bay Colony systematically terrorized and slaughtered the very same Pequot tribe that assisted the first English refugees to arrive at Plymouth Rock. So, perhaps ironically, I’m thankful that I know that, and I’m also thankful that there are people who seek out, and usually find, such truths.  I’m thankful for people who, even surrounded by millions of Americans eating turkey during regularly scheduled commercial breaks in the Green Bay and Detroit football game; who, despite having been taught, often as early as five and six years old, that the “helpful natives” selflessly assisted the “poor helpless Pilgrims” and lived happily ever after, dare to ask probing, even dangerous, questions.

Such people are often nameless and humble, yet no less courageous. Whether carpenters of welders; retail clerks or bank managers; artists or lawyers, they dare to ask tough questions, and seek out the truth, even when the answers they find might not be easy to live with.

I’m also grateful for having social and human justice pioneers who lead through action, and by example, as opposed to directing or commanding other people to take action. Often, the achievements of such people transcend political, cultural, and generational boundaries. Unfortunately, such remarkable people often risk their reputations, their livelihood, and, all too often, even their lives.

For instance, the man commonly known as Malcolm X began to openly embrace the idea, after an awakening during his travels to the Middle East and Africa, of an international and unifying effort to achieve equality, and was murdered after a tough, yearlong defection from the Nation of Islam. Martin Luther King Jr., after choosing to embrace the struggles of striking sanitation workers in Memphis over lobbying in Washington, D.C., was murdered by an escaped convict seeking fame and respect from white Southerners. Harvey Milk, the first openly gay politician in the U.S., was murdered by a jealous former colleague. These are only examples; I wouldn’t dare to make a claim that they represent an exhaustive list of remarkable pioneers of social justice and equality—certainly many if not the vast majority are unsung and, sadly, forgotten.

So, this year, and every year, I’m thankful for such people, and I’m thankful that one day—perhaps not tomorrow—because of the accomplishments of such truth-seekers and human rights pioneers, we can live together on this tiny “pale blue dot” of a planet and stop looking inward, at each other, but rather outward, into the space beyond this planet and the future of all of humanity.

Chelsea Manning, formerly named Bradley, is serving a 35-year prison sentence at Fort Leavenworth for leaking hundreds of thousands of classified documents to the anti-secrecy group WikiLeaks.

via Chelsea Manning | Thanksgiving Gratitude With Michelle Obama, Rick Warren and More | TIME.com.

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Filed under colonialism, human rights, intersectionality, media, Native, prisons, propaganda, representation, resistance

Laurie Penny: phenomenal feminist wisdom

Thanks to Laurie Penny (author of Cybersexism: Sex, Gender, Power and the Internet) for a few insightful quotes about fighting sexism on the internets.   I happen to agree about the rising moments of accountability.

Look. The internet makes dicks out of us all, but it means that for a few people, the perceived costs of extreme douchebaggery are far lower than they would be otherwise. But that sense of inviolability is beginning to erode. Men — and I do believe that it’s mainly men, even though I’ve had troll encounters with women and others — are beginning to realize that there are actual consequences to behaving like this. It’s happening in “the real world,” too. Comedians now think twice before making rape jokes. Tech conferences think twice before lining up scads of all-male panels. And it’s happening because of the internet. I think.

via Laurie Penny Vs. Cybersexism: “Not Letting the Fuckers Win” – ANIMAL.

When asked about men, Penny responds:

Capitalist patriarchy hurts everyone, not just women. What I really hope is that this explosion of debate and discussion about gender and sexuality, facilitated by the internet, will give men permission to speak honestly about what capitalist patriarchy does to them.

Right now, though, it seems men only feel empowered to speak of how gender affects them when they’re directly attacking women and girls or bawling artlessly at feminists. I meet a lot of MRA’s who genuinely seem to believe that an attempt to make the world fairer for women and freer for everyone is a direct attack on men, and that calling someone sexist is worse than actually being sexist. Those are lies, and we need to stop treating them as adult arguments.

If women are shamed and harassed out of full digital participation online, everyone loses.

via Laurie Penny Vs. Cybersexism: “Not Letting the Fuckers Win” – ANIMAL.

And perhaps one of the greatest approaches to internet trolling:

But none of that is terribly helpful when all you want to do is slam the laptop shut and never look at Twitter again.

At which point I’d advise a long walk, a strong cup of tea, and a healthy dose of spite.

Spite is underrated. Sometimes, on dark days when I believe every awful thing mouth-breathing misogynists say about me online, when all I want to do is give up, I remember how important it is not to let the fuckers win.

via Laurie Penny Vs. Cybersexism: “Not Letting the Fuckers Win” – ANIMAL.

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Challenging representation about violence in Chicago

I’m impressed with the arguments presented criticizing the moral panic about gun violence in Chicago.  I don’t live in Chicago, but I’ve certainly read a number of heavily negative media stories in the last year.   Prison Culture blog has the critique and it seems persuasive to me.

It’s certainly true that in some parts of the city, you are more likely to be shot or physically harmed than in others. However, on the whole, Chicago is actually “safer” in terms of public shootings and homicides than it’s been in decades. The city is in fact nowhere close to being the so-called “Murder Capital” of the country. Check the statistics, you’ll see that I’m right.

But you notice that I said “safer” in terms of public shootings and homicides, not “safer” in terms of “violence.” Because in very real ways, in terms of structural and institutional violence and overall oppression, things are pretty terrible for a lot of people. But we don’t discuss this with nearly the frequency or sensationalism that we do when we catalog the dead and the injured (as important as it is to memorialize those precious lives).

via Prison Culture » Can We Please Bury “Stop the Violence” as a Slogan? It’s Meaningless.

I also like that they address the militarized language that influences the way we understand poverty and policing in Chicago.

When we use these terms (which may or may not accurately describe how we live based on our own subjective experiences), we inadvertently legitimate a military response from the state (though the state needs no excuse to crackdown on the marginalized).

I would suggest that even more insidious is the way that these terms condition our own thinking about ourselves and each other. We trap ourselves into responding to these structural problems with a punishment mindset and a war footing. And this has devastating consequences for communities that are already over-policed, militarized, under-resourced and ravaged through decades of disinvestment. Using this terminology ultimately contributes nothing to ending interpersonal violence & may in fact exacerbate it.

via Prison Culture » Can We Please Bury “Stop the Violence” as a Slogan? It’s Meaningless.

 Thanks to Feministing for the suggestion via their Weekly Feminist Reader.

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Filed under communication, health, media, police, prisons, propaganda, race, representation

Waka and Gucci fall 2013

Waka Flocka Flame has a diss track for the currently-incarcerated Gucci Mane.  Having been friends and label-mates, this schism seems pretty interesting.   Nice beat and a particularly scathing criticism.   Drug use, question of authenticity (“I’ve been shooting pistols since seventh grade.”) number of goons willing to shoot for them, and attacking Gucci for causing strife solely for attention.

“P.S. Don’t get caught in that/Dissin’ for promotion/All in your feelings/all in your emotions/Just for attention/you cause all this commotion/Ni**a you just talking/you don’t really want all your business in the ocean. “

– Waka Flocka Flame “Ice Cream” Oct 2013.

I actually think Waka has some good points.

He also has the status to call out Gucci like no one else can.  Waka has taken the Snoop Dogg path to success.  Astounding tour concerts.  Relentless affection for his fans, and a consistent ability to stay out of gossip blogs.

Remember Waka volunteering to go naked for PETA?  Like Snoop, Waka seems “like a grown-ass rock star” as one of his buddies puts it in a video.  He is a taylor made celebrity — with toxic violent raps and a Fozzy Bear sized lovable personality.  Waka, like Snoop before him has chosen a particularly thin road to walk for fame.   Playing cute in morning shows and rapping about shooting people at the same time.

If Waka releases videos full of debauchery and destruction, he loses a significant portion of his buying public.  Something Gucci is now facing — perhaps the myriad offenses cease to be explainable.  Fans desert you and your albums are not purchased.

But Waka (and Gucci Mane and a million other roughneck emcees) still have to articulate an image of outlaw anti-social behavior.  In most cases, they choose to emphasize their wealth (suggesting that it was garnered through drug sales and not through regular work, music, savings or investing.)  In other cases, they mark their own perpetual return to the criminal life.

Of course telling a couple of hundred thousand fans (and increasingly interested cops) about your criminal behavior has potential consequences.  It seems like cops listened to Waka and Gucci when they raided Deb Antney — Waka Flocka Flame’s manager and mom.

Antney, who heads up Mizay Entertainment, was frustrated because her company is scheduled to host a toy drive Thursday. She said when she arrived on the scene, police called her “the Candy Lady” and suggested she was the ring leader of the prostitution operation.

“Of course I’m not gonna sit back and be called ‘the Candy Lady,’ ” she said. “There was no prostitution. And we’re not gang-affiliated.”

via Waka Flocka Flame’s Mom Denies That Prostitution Was Behind Raid – Music, Celebrity, Artist News | MTV.com.

(Pause for a minute to ask ANY of you how you would do with the cops raiding your mom’s house?)

I’m not blaming musicians for rhyming about criminality.  I’m interested in how Waka stayed famous, rich and out of jail, while Gucci is alienating everyone and in prison for the next six months (at least).

Part of it has to be Waka noting that those who commit crimes when trying to rhyme are “hustling backwards.”

“Why would I try to rap and then street gangbang?” he added. “That’s hustling backwards. I’m good. I dropped the album Flockaveli, and it’s doing numbers. I think ‘No Hands’ is platinum or on the road to be. I’m in the top three albums of the year…I’m going in, man.”

via Waka Flocka Flame Addresses Police Raid | Get The Latest Hip Hop News, Rap News & Hip Hop Album Sales | HipHop DX.

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Surveillance as fame: Chief Keef

Ben Austin in Wired:

We naturally associate criminal activity with secrecy, with conspiracies hatched in alleyways or back rooms. Today, though, foolish as it may be in practice, street gangs have adopted a level of transparency that might impress even the most fervent Silicon Valley futurist. Every day on Facebook and Twitter, on Instagram and YouTube, you can find unabashed teens flashing hand signs, brandishing guns, splaying out drugs and wads of cash. If we live in an era of openness, no segment of the population is more surprisingly open than 21st-century gang members, as they simultaneously document and roil the streets of America’s toughest neighborhoods.

via Public Enemies: Social Media Is Fueling Gang Wars in Chicago | Underwire | Wired.com.

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Filed under capitalism, communication, hip hop, media, music, representation, Surveillance

Mixtape media: DJ Drama

Thanks to Nah Right for the two part interview with mix tape innovator DJ Drama.  Here are my favorite snippets from the interview, starting with some DJ insights:

“And I was an East Coast type of guy with my taste. When you come to school, particularly in a place like Atlanta, you’ve got so many people from so many places. So I had to relearn how to DJ, and it made me much more of a worldly DJ than I might have been [if I stayed] in Philly. You had people from California, and people from D.C. that wanted hear go-go, and people from the islands. You got your people from Atlanta that want to hear A-Town shit. Then there’s people from New York. So you gotta learn how to please a bunch of people.

via Mixtape Memories with DJ Drama (Part 1)Nah Right.

I appreciate him noting that it was the absence of mixtape DJs working with southern artists that created his lane.

“There was a store called Tapemasters, my man Marco used to work in there. And I would try to sell my CDs in there, but I would get blown out, because I was making East Coast CDs trying to compete with Whoo Kid and Kay Slay and Clue, and no one was checking for me because I was getting beat to the punch [by them having the exclusives before me]. So my senior year of college, I realized that I needed to make a South tape. And that shit flew like hot cakes. The first song ever on the pre-Gangsta Grillz DJ Drama South tape was ‘Bling Bling.’ That was like ‘99. And Marco was like, ‘You need to focus on your neo-soul tapes, and your South tapes. That’s where you have niches at.’

via Mixtape Memories with DJ Drama (Part 1)Nah Right.

Part II here.

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Filed under capitalism, do-it-yourself, hip hop, media, music

Star Trek and the NSA and paywalls

picard finger

I think it is totally messed up that the NSA spy dude General Keith Alexander built a replica Start Trek: Enterprise bridge.  HEY REAL WORLD SURVEILLANCE WARMONGERS: leave my fiction alone.  Cory Doctorow at Boing Boing explains using a quote from a Foreign Affairs article:*

When he was running the Army’s Intelligence and Security Command, Alexander brought many of his future allies down to Fort Belvoir for a tour of his base of operations, a facility known as the Information Dominance Center. It had been designed by a Hollywood set designer to mimic the bridge of the starship Enterprise from Star Trek, complete with chrome panels, computer stations, a huge TV monitor on the forward wall, and doors that made a “whoosh” sound when they slid open and closed. Lawmakers and other important officials took turns sitting in a leather “captain’s chair” in the center of the room and watched as Alexander, a lover of science-fiction movies, showed off his data tools on the big screen.

via Replica Enterprise bridge used to sell surveillance to Congress – Boing Boing.

*I couldn’t read the actual article because Foreign Affairs paywall was so dominating.  I guess I’ll have to read it via the school library server.  You know, paywall-mass-media-publication people: most of the nerdy people would read FOREIGN AFFAIRS probably can get a copy through their library.

It is convenient that I can follow the link from the Boing Boing article to the essay in question.  But if I open another tab, log into my school account, finding the article is a matter of a few more links.  So be honest, paywall-media-people, what you are selling is convenience.

Charge me convenience prices.  I just want to read one story.  Let me  drop ten cents (or a quarter!) of hard-earned digital cash for a nice story.  I don’t want to sign up, I want to pay for something the way you used to be able to buy a newspaper and not have to give your vital information.  Please mass media sources, get with the 2000s and make portions of your insightful work available to the public at reasonable prices.

And kick some of that digital cash to support investigative journalism.

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Filed under human rights, media, propaganda, representation, Surveillance

Juxtaposition: Fiona Apple and Dave Chappelle walk off the stage

Artifact One: Fiona Apple at a Tokyo fashion event.

Apple grew frustrated with the ongoing chatter in the venue, a hall at Tokyo Station Hotel, where the exhibition makes its home. Partway through her short set, she climbed on top of her grand piano and asked the audience to be quiet so that she could perform. She then challenged everyone to be silent for the duration of a tone she created by striking a small metal bell. The performer grew even more angry when the noise in the venue continued.

Apple instructed the audience to “shut the f–k up” and uttered other expletives, both audibly and under her breath, calling the event’s attendees “rude.” She continued with her set before shouting, “Predictable! Predictable fashion, what the f–k?” as she stormed off the stage. The show was punctuated with other bizarre moments, such as when she hit her head with her microphone, did a back bend over her piano bench and stared intensely at her guitarist as if in a love-struck trance.

via Louis Vuitton Toasts ‘Timeless Muses’ in Tokyo – Parties – Eye – WWD.com.

Artifact 2: Dave Chappelle walking off the stage at a Connecticut comedy club.

Chappelle wasn’t having a meltdown. This was a Black artist shrugging the weight of White consumption, deciding when enough was enough. This isn’t the first time Chappelle has done so and it isn’t the first time his behavior has been characterized as a meltdown.

There is a long history of asking African-Americans to endure racism silently; it’s characterized as grace, as strength. Chappelle’s Connecticut audience, made up of largely young White males, demanded a shuck and jive. Men who seemed to have missed the fine satire of the Chappelle show demanded he do characters who, out of the context of the show look more like more racist tropes, than mockery of America’s belief in them.

When he expressed shock at the fact that he’d sat there and been yelled at for so long, people yelled that they’d paid him. They felt paying for a show meant they could verbally harass him, direct him in any tone of voice, as though they’d bought him.

via Dave Chappelle Didn’t Melt Down – Entertainment & Culture – EBONY.

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Filed under art, fashion, juxtaposition, media, protest, race, representation, resistance, vulnerability

Smart thinking about white indignation and trolling

I’m completely feeling three arguments from Robin James at Cyborgology about the indignation over the Robin Thicke/Miley Cyrus VMA performance.

1. White indignation is a way to self-identify as better-than.

What are we supposed to find likeable in all this? If the aim of the performance is trolling, then we’re not supposed to find it likeable, but irritating and infuriating. I wonder if, in a particularly insidious way, we white people/white feminists are supposed to like what we think is our righteous outrage at the performance? It’s insidious because what is felt (and often intended, at least superficially) as a performance of anti-racist outrage actually further cements our privilege vis-a-vis white supremacist patriarchy? Sharing the pics and gifs of black artists’ reaction shots (the Smith family, Rihanna, Drake), and all the positive feedback we get from this, tells us that we’re “good” white feminists? And this knowledge of our goodness is what we’re liking and aesthetically enjoying? (I’m phrasing these points as questions because they’re genuinely hypotheses–they seem right, but maybe I’m overlooking something?)

via Trolling Is the New Love & Theft » Cyborgology.

No, you are not overlooking something.

2.   James also argues that new media enables sexist and racist communications to be quantified and amplified through critique via social media commentary and thus sanitized.

But today, in what we tell ourselves is a post-feminist, post-racist society, perhaps the way to dis-identify with the neoliberal mainstream is to identify with the objects of its disdain: sexism and racism. As before, the dis-identification with the mainstream is an attempt to prove one’s elite status above that mainstream. This eliteness isn’t conceived or expressed as vanguardism (being ahead of the pack), but as human capital, often quantifiable in/on social media. It’s not who’s most shocking, but who’s trending most on twitter the day after the VMAs, for example. Just think about the way Thicke’s “Blurred Lines” performances constantly throws #THICKE up on some screen.

via Trolling Is the New Love & Theft » Cyborgology.

3.  The best point James makes is framing this kind of cultural appropriation + rape supportive culture + toxic corporate media garbage to be a form of trolling.  Pushing our buttons in order to get more attention.  Now, this is a smart argument — it gives a way to better understand the reasons why Thicke’s rape song and Cyrus’ twerking are bothersome.

I also think it might point to a kind of consumptive desire in the audience not only to distinguish themselves through mockery, but also to desire to view and replay the suffering of the mocked.

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Filed under capitalism, communication, cultural appropriation, feminism, human rights, learning, media, music, race, representation, sexual assault

Accountability: Anonymous hacking Steubenville

Adrian Chen has a provocative essay on a hacker/Anonymous member who was instrumental in articulating the digital actions to challenge rape culture in Steubenville Ohio.

Chen not only describes the mistakes made by Lostutter and Anonymous hackers, but also outlines the cultural impact of this kind of hacktivism.  Here Chen describes the impact of the video released of the football player enthusiastically cheering on the rapes.

The video wasn’t forensic evidence of a crime, but of the attitude that could allow something like the rape to happen over and over again. When people talk about how Anonymous “exposed” Steubenville, they can’t mean the facts of this case, which were utterly botched by KnightSec and its allies. What they mean is that Anonymous exposed how sexual assault is a bigger issue than bad people doing bad things. That it is enabled and even celebrated by a culture that tells young men it’s OK to laugh off a horrific rape as harmless late-night debauchery, to be instagrammed and tweeted about, then expects the rest of us to feel bad for the perpetrators when they’re punished. That’s the valuable lesson of this video, and KYAnonymous alone had uncovered it.

via “Weaponize the Media”: An Anonymous Rapper’s War on Steubenville.

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Filed under communication, hacking, media, protest, resistance, sexual assault, technology