Category Archives: media

911 as Mitt Romney’s campaign song: Rick Ross and Jay Smooth

Freaking brilliant comparison.  The Rick Ross strategy of simply lying to make yourself into a celebrity laid out next to the Mitt Romney campaign who, with the advent of VP candidate Paul Ryan, have take lying to a whole ‘nother level.

“Post-realness” indeed.

As someone who has read about the stories Gary Webb reported about the CIA selling cocaine to California gangs, the origin of the “Freeway” Rick Ross name, I’ve felt kind of icky about the linguistic hijack Rick Ross presents.  Sort of like someone taking a mass murderers name (Jim Jones?) and re-branding it for sale to teenage pop fans, the choice to appropriate this particular criminal for a nom-de-tough-guy has never sat well with me.

When the real drug-dealer Freeway Rick Ross sued the rapper Rick Ross and lost, I was astounded.  I remember ranting at that time that the rapper was impervious to reality.

Jay Smooth suggests the entire republican campaign is generating an inviting and fictional narrative.  And like Rick Ross, one that will be resistant to suggestions that it isn’t factually correct.  Some communications corrode against other communications.

In this sense, Rick Ross might be the best comparison to the Mitt Romney campaign.  “Post-realness” means just making it up and then calling anyone who disagrees with you a bad name.

Since the G.O.P. is having a tough time finding any musician who will allow them to use any of their music, perhaps they should ask Rick Ross if they can use 911?  I think it is as strong an ideological fit as Ted Nugent’s “Cat scratch fever.”

1.  Explicit biblical reference to open the conversation?  Check

2.  Focus on wealthy people with explicit disregard for the poor?  Check

3. Retaliatory ethics with encouragement of NRA gun violence?  Check

4.  Consumer identity presented as patriotism? Check

5.  Pull-yourself-up-by-the-bootstraps bullshit?  Check

6. Women included via objectification?  Check

You may know that Rick Ross’s new protege Gunplay (the other guy in the video) has a swastika tattooed on the back of his neck.  If Rick Ross’ Maybach Music Group did become more explicitly aligned with the Republican party, the value of Gunplay on the roster would obviously go way up.  Not only is his name an NRA wet-dream, but the swastika tattoo would probably help get the votes of those die hard right-wingers who didn’t feel that the GOP showed enough visible Nazi tattoos.

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Filed under communication, hip hop, juxtaposition, media, music, propaganda, representation

Bike Snob fakes out the Paris Review

I like the blog the Bike Snob.  I ride a bicycle a couple times a week and I’m a snob, so it fits.  The Bike Snob is heavy on witty trash talking.  One of his favorite techniques is to make something ridiculous up, for instance imagining the septuagenarian founder of the Paris Review, George Plimpton riding around on an ugly Trek Y-frame.

Anyway, when my friend (I do actually have a friend) forwarded me the Paris Review post, my first thought was, “So by some extraordinary coincidence did George Plimpton actually ride a Y-Foil?” Then I wondered, “Maybe I didn’t make up the quote after all and I just think I did because it seems like something I’d come up with.” Finally though, it became clear that somehow the current editor of The Paris Review must have come across my bullshit quote and accepted it as fact. Furthermore, now that it’s actually been published on their website, everyone else will accept it as fact as well, and thanks to a certain popular search engine poor George Plimpton will be forever associated with one of the ugliest and Fredliest bicycles ever made.

It really makes you think about the complex relationship between reality and absurdity. Take religion for example. Sometime back in the Iron Age some wiseass probably made a joke about milk and meat, and now thousands of years later Jews need to have two dishwashers.

via Bike Snob NYC: Foiled Again: Truth is Faker than Fiction.

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I want to have a beer with Michael Keaton

Thanks to Wikia for the photo

Daniel: And were there other names you were considering besides Keaton?

Michael: Hand to God, I swear this is true: My middle name is John, and where I come from, people throw around nicknames all the time. So they’d call me John or Johnny. And for a long time my brothers would call me Jackson, and I thought, Oh, that makes sense. I’ll just be Michael Jackson.

[Both laugh.]

Daniel: Michael Jackson!

Michael: I’m going to find a way to ease it back into my name.

Daniel: You worked on Mister Rogers back in 1975, right? What was he like?

Michael: Yeah. He was funny, just deceptively funny. So authentic, but also so unusual. I worked on the crew at the local PBS station in Pittsburgh. I was making like $2.25 an hour or something. When you work there, you kind of do everything. And when you did his show, you did everything from pull cable for the cameras, to running the trolley, to dressing up in the black-and-white panda suit for 25 bucks.2

Daniel: Really?

Michael: What people don’t realize is what his crew looked like — they almost all had hair down to their lower backs, one guy just dripped with patchouli and marijuana smoke, worse than Tom Petty. But everyone was really funny and would do these insane things — and Fred just loved them. And they loved him back.

Daniel: So he’d never just lose his shit and scream at a gaffer for getting in the shot?

Michael: No! In fact, one time, my friend Nicky Tallo, who was this really funny, big Italian kid who was his floor manager — and I don’t think I’m telling tales out of school when I say generally Nick was feeling the effects of smoking dope the night before — or maybe even that morning …

Daniel: It was a different era …

Michael: So one day, we were taping, and Fred comes in, and starts singing, “It’s a beautiful day in the neighborhood, a beautiful day … ” puts the shoes down here, goes to hang up the sweater in the closet. And he’s singing, and he opens the door — and there’s his floor manager, Nick, this big guy with his long goatee, pierced ears, hair all over the place, totally nude, just standing there naked in the closet. Well, Fred just fell down; it was the most hysterical thing you’ve ever seen. He was totally cool.

via Dinner With Daniel: A Q&A with ‘Batman’ and ‘Beetlejuice’ star Michael Keaton about Mister Rogers, fly-fishing, roles he turned down, and more – Grantland.

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Screw you New York Times for restricting access

When you read the New York Times online you are limited to ten articles per month.  I believe this is a terrible practice in a shortsighted desire for profit.  It hurts the business, and is terrible for informed citizenry.

This morning I was going to quote an article from the New York Times that was about a specific article (American soldiers, military drugging and the relationship with Post-Traumatic Stress Disorder.)  I thought it would be interesting to join in the conversation about this topic by re-blogging a key argument from the article.

But the realization that anyone who clicked the link would be swept into the New York Times crappy paywall made me say “forget it.”

Screw you New York Times!

This is the internet era where advertisers ask about things like “reblogging” and “brand loyalty” right?  How is this possibly good for their business?

More importantly, how terrible is limiting access to information?  It’s bad for readers, reporters, other news agencies, and of course limits the participation in important conversations.   The paywall is bad for citizens, bad for communities, bad for working people and of course, bad for the New York Times!

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Filed under capitalism, communication, media

David Lowery: Meet the new boss, worse than the old boss

Slide by David Lowery

David Lowery of Camper Van Beethoven and Cracker has authored a powerful read on the promises and the reality of making and distributing music in the digital age.   Lowery (who is also a tech nerd) makes some powerful arguments as he wonders “were musicians better off under the old major label system?”  Read his epic rant: “meet the new boss, worse than the old boss.”

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Making animal abuse visible: Walt Disney’s Taxi Driver

Damn this is a good mashup.  Taxi Driver vs. early Walt Disney.  I really like the movie theater scene because it makes visible some wild Mickey Mouse animal abuse that I’d never noticed before. Not to mention the most scathing critique of corporate sanitizing of Times Square that I’ve seen.

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Filed under Animals, art, capitalism, juxtaposition, media

African men speak?

Hmmm. . . it does sound a little scripted.  But I love the “shirtless Matthew McConaughey” line.   Please don’t read the comments unless you would like to be enraged.

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Filed under colonialism, cultural appropriation, human rights, media, race, representation, resistance

Fortune cookies aren’t Chinese?

Watching Jennifer 8. Lee’s TED lecture on cultural assimilation, appropriation and Chinese food last night was a sixteen minute epiphany.  Something about her credibility — the maniac pace of the lecture, the brilliant video clips and images, the giggling — it all adds up to something quite entertaining and thought provoking.

 

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Filed under capitalism, cultural appropriation, juxtaposition, media, representation

Jasiri X: Trayvon

Check out the colors of change campaign for Trayvon.

There is an interesting campaign to mail a package of skittles the police chief who chose not to arrest Zimmerman.  I’m thinking about mailing some skittles to US Attorney General Eric Holder.

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Filed under colonialism, hip hop, human rights, juxtaposition, media, memorial, protest, representation, resistance

Yasiin Bey (Mos Def), Kanye and Jay-Z: thinking about the throne

I like to get to my theory class early.  Like 30 minutes early.  I enjoy sitting in the quiet thinking about what I’m going to say.  Two of my favorite students show up almost as early.  We’ve developed a casual pre-class discussion forum that starts at 7:30 AM.  On wednesday I played them both Kayne & Jay-Z’s “Nigga’s in Paris” and Yasiin Bey’s (AKA Mos Def) version “Niggas in Poorest.”

I’m enjoying Young Guru’s attempt to mediate these two arguments.  Should we watch the throne or beware the throne?

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Filed under academics, capitalism, colonialism, communication, hip hop, media, music, propaganda, representation