Performing arguments: The Roots . . . And then you shoot your cousin

Okayplayer has a slightly obtuse review of the live performance of The Roots new album.  The album is called . . . And then you shoot your cousin.  Here is a snippet from the review by Eddie “Stats” which highlights the use of performance to make some interesting arguments:

Questlove is at the decks now and as the lights strobe a massive avalanche of balloon animals suddenly falls on the stage, a Jeff Koons flood of meaningless forms, falling in the framedrop slo-mo created by the flash of the strobe. A doo-ragged character enters the stage, humming, holding a gigantic red balloon like a kite. There’s something clownish in his dancerly movements, he has his mouth absurdly open, recalling at once a mime, Flavor Flav in wop-mode, the broom-wielding enforcer of the Apollo as he sweeps balloons away in the wake of his feet. In silence his dance picks up in intensity and his movements resemble Flav less than legendary b-boy choreographer Pee Wee Danz. As he steps and swims through balloons, the pop of dying inflatables echo like gunshots. We are fully in Fluxus territory now, improvisation colliding with a wickeder kind of randomness to create an ‘anything could happen’ tension in the room.

via The Roots chop up their new LP into art live (photos + recap) Okayplayer.

The Roots performing live among some balloon animals.  Photo by Mel D. Cole taken with respect from Okayplayer.

The Roots performing live among some balloon animals. Photo by Mel D. Cole taken with respect from Okayplayer.

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Bun B, hip hop and changing culture

Photo by Jacob Moore. Bun B and Mayor Parker declaring Bun B Day in Houston. August 2011

Bun B is an absolute boss, a fact reasserted in the Texas Monthly article on his influence.  I find it interesting how much cultural change Bun B has been involved in.  UGK were crucial in convincing the world to appreciate southern hip hop.  Bun B is a great example of community minded hip hop leader, as Katy Vine explains:

Bun B’s life these days is so deeply intertwined with Houston’s that he is often referred to as the city’s unofficial mayor. He has been featured in anti-texting public service announcements. He helps publicize drives for the Houston Food Bank. He hosts a twice-weekly segment on the TV station CW39 called Bun’s Beat (recent installments include “Bun B’s Thoughts on the NFL Banning the N-Word” and “Bun B’s Advice for Returning College Students”). He has been a regular guest on networks such as Comcast SportsNet Houston to discuss the Astros and the Rockets. He attends nearly every major concert. He promotes the city’s food and culture actively on his Twitter feed, where he can seem, at times, like a one-man chamber of commerce. “If you want to find out the best sushi spot, barbershop, or club, he would probably be the person with the widest Rolodex,” Houston rapper Chamillionaire told me. “You could ask him something crazy, like where to find left-handed scissors in Houston, and he could probably point you in three different directions.”

via Man About Town: Page 2 of 8 | Texas Monthly.

Let us note that place has been one of the most significant parts of hip hop culture (where are you from?).   What if there are creative hip hop intellectuals in every town in the world, who love where they are from so passionately that they will become positive leaders in their own places?  It’s going to take some forward thinking municipalities to get the benefits of including hip hop intellectuals.

Thanks to thehairpin for the linque.

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Positionality: Ebony on Leslie Jones, humor and slavery

Photo from Ebony Magazine, via Saturday Night Live

I appreciated that Leslie Jones wrote an extended riff on slave sexuality and the African American experience on Saturday Night Live.  I recognized the controversial elements, but it was also a crash course on hierarchy for a few SNL viewers.

Slavery was an institution built on rape.  Angela Davis notes that the representation of Africans as animals also meant a notorious breeding/rape part of the economy.  Driven by profit, slave masters would rape in order to make more slaves.

It also necessitated a whole hundred years of representations of black women’s sexuality as somehow complicit in this sexuality.  Hierarchies of white sexuality as pure and desired versus black sexuality often articulated as lusty and despised (bogus).

So when Leslie Jones turned her criticism of the subject to her own body she skipped the rape part of of slave economy.  Of course the humorous part of the skit was imagining that a slave would be empowered as  . . .  perhaps a number one draft pick.  Jamilah Lemieux, editor at Ebony was quick to notice this and argue that it’s a little 2014 for representations of happy slaves:

What about the producers, directors, cast members who watched this play out? No one said, “You know this is going to upset a lot of people, right?” SNL now has at least five Black actors and writers…one would hope that that would have been enough to stop this train. That is why we wanted Black women in the writers’ room in the first place, to prevent exactly this.  Because I am willing to bet that had a Jewish writer conceived an ‘Anne Frank meets Justin Bieber’ skit after the singer made his regrettable comments about the young Holocaust victim, someone would have had the good sense to shut it DOWN.

(When does someone shut down jokes about slavery? And how bad are the racist jokes that don’t make it past the drawing board?)

via Once Again, No One Is Laughing at ‘SNL’ – Entertainment & Culture – EBONY.

No doubt SNL is a racist institution and much of their humor hinges on toxic sexist and racist tropes. Jamilah Lemieux makes clear the positionality of Jones in the ways she lampooned her own desirousness.

I don’t know if she’s just doubling down and committing to defending a completely indefensible (IT WASN’T REALLY WASN’T FUNNY, MA) skit, or if she really just doesn’t grasp what was wrong with it. But it’s depressing that Jones would play out her own issues with feeling undesirable  in a way that not only made her, in that moment, perhaps as unattractive as humanly possible, but also mocked other Black women who may be taller, larger or outside the ‘norm’ in the process. Comedy can be cathartic, dark, subversive…but that takes skill that wasn’t displayed here. She didn’t call to question why women like her are, by her accounts, less wanted than the Lupitas and Beyonces of the world; she talked about fighting Crips for a White dude and popping out NBA-worthy babies on demand.

via Once Again, No One Is Laughing at ‘SNL’ – Entertainment & Culture – EBONY.

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Hells Angels kissing

One of the images in this gallery — slide 8, featuring two Angels locked in what appears a passionate kiss — is a graphic, surprising example of something that Bill Ray says struck him forcefully at the time: namely, the Angels’ apparent need to shock people. “That’s outside the Blackboard Cafe,” Ray remembers. “That’s the sort of thing they would do all the time, just to freak people out. As if to say, What’re you looking at? You got a problem with this?“

via LIFE Rides With Hells Angels, 1965 | LIFE.com.

Photo by Bill Ray thanks to Life magazine.

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What is it about gold teeth that freaks people out?

The United States Army has banned grills.  Here is a quote from Animal Magazine who excerpted the Army new regulations:

The use of gold caps, platinum caps, or caps of any unnatural color or texture (permanent or removable) for purposes of dental ornamentation is prohibited. Teeth, whether natural, capped, or veneered, will not be decorated with designs, jewels, initials, or similar ornamentation.

via US Army To Ban Neck Tattoos, Cornrows And Grills – ANIMAL.

You understand that most grills are removable right?  What is it about gold teeth that makes people freak out?  My criticism is that they are wasteful and might damage your teeth or mouth.  But that might be true of sour patch kids, and I don’t think the Army should ban them.

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Power, autonomy, body and twerking: Kimari Brand

Brilliant breakdown of twerking and bodily representation.  Smart insights from Kimari Brand about power and the significance of the dance form (film by Irma L. Garcia).  Brought to me by the ever-on-point Feministing.  Good preview of the video by Sesali Bowen in Feministing:

Utilizing multiple experiences — including a course on performance, feminism and social justice, a trip abroad to study Afro-Caribbean culture and politics, and her experiences as a Black girl at an institution of higher education that prioritizes white supremacist “credibility and status” — Brand has reframed the dialogue about twerking.

via “Twerk It Girl” examines twerking for autonomy and resistance.

I think twerking is at the heart of a lot of the moral panics about young women’s sexuality.  More particularly the moral panic attached to twerking is represented along racial and/or sexual and/or class lines depending on the expected audience (Miley Cyrus).  Worth discussion and re-presenting which Brand and the filmmaker Garcia do really well.

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Salute to tofu

Tofu is delicious.  As a vegetarian who likes good food and cooking, tofu is an essential building block.  I want to talk about making fried tofu and tofu scramble.

Fried tofu should start with pressing out the extra water from the soy cake.  Buy firm or regular tofu, anything but soft tofu (which is great for smoothies and certain recipes where structural integrity isn’t the thing).  Open up the package and rinse your tofu.  Slice it into slabs and then lay it onto a clean towel and gently press the water out of the tofu.

Cut tofu into chunks and then add to hot frying pan with a little oil.  You’ll be getting the pan pretty hot, so I recommend a seasoned cast iron pan and an oil with a high smoke point like peanut or canola.  But anything will do, if you happen to be cooking with olive oil then just turn down the temperature a little.

One CRUCIAL tip is to leave the tofu alone for a minute or two.  Most of us want to stir and shake all the time.  But the first minute of cooking is when the tofu develops it’s developing delicious crispy skin.  If you move it before that happens you’ll tear up the tofu because it is still sticking to the pan.  Let the tofu sit until it gently moves in the pan with a little shake of the handle.

Flip the tofu chunks with tongs or by shaking the pan.  But remember to leave the pan alone after moving your tofu to let that tasty skin develop.

Tofu scramble is really a matter of taste.  There are a couple of health food store semi-corporate seasoning packets that you can buy to get inspired.  If you investigate this way, just note the seasonings on the back and you can usually remake the recipe with your own changes.

When I ate scrambled eggs I preferred them to be a medium for cheese and vegetables.  So my tofu scramble comes out the same way — more heavily seasoned and with a lot of vegetables mixed in.

Step one: sauté a few veggies — whatever you want to eat for breakfast.  Here is some cabbage and zucchini.

Step two: add tofu.  Once you get the veggies a little soft crumble the tofu on top and then stir it all together.

Step three: seasoning.

The most important addition in tofu scramble is nutritional yeast.  I’ll add it into the scramble at various points. It adds salt, fermentation flavor, sweet, color and it dries up the tofu bits making more browned (maillard reaction) flavor.   Start with a tablespoon and add more to your taste.

Turmeric doesn’t add much flavor but it gives a great color and smell.

Hot peppers, chili flakes, hot sauce, any kind of heat.

Soy sauce.  I’ll just splash in soy sauce and mix it around.

Italian seasonings usually go just fine — oregano, marjoram and thyme.

Cook and taste, adjusting seasoning along the way.  If you like runny eggs, then just leave a little of the moisture from the tofu and veggies going.  If you want a more crumbly dry scramble, then cook a little while longer and add a little more nutritional yeast.  Enjoy!

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Solidarity against rape culture at Vanderbilt

The editor of the Vanderbilt student newspaper wrote a nice opinion piece about the visibility of rape culture on a fraternity message board.  After summarizing the toxic discussion, Andre Rouillard shares his conclusion and noted that he had saved the message board discussion and posted it for posterity:

If all of this isn’t rape culture made manifest, then I don’t know what is. I’m not going to waste my limited word count railing against the enabling power of anonymous message boards and social media, the insularity and cliquey-ness of Greek life, or other favorite targets of those who write on this subject but who don’t pay witness to it. This single, 44-post thread is a glimpse into a rape culture that is alive and well here at Vanderbilt. It’s alive in dorm rooms, Greek houses, classrooms and public spaces. It is a culture that commits rape and then comes together to shut down its victim.

“Consider yourself lucky if no one finds this thread,” warns one user. Well, now no one can: The thread was deleted from the website yesterday after 8 p.m. However, you’ll be able to find the entire thread saved here, with the name redacted.

It is plain now that there are groups of individuals at this prestigious, beautiful, diverse institution darkening its classrooms and hallways and making it a less safe and accepting place for the women in attendance. After all of the steps forward that Vanderbilt has taken in my four years here, this thread represents one hundred steps backward. I am deeply ashamed to share classrooms, professors and the name on my soon-to-be-printed diploma with the students represented in this cesspool of destructive gossip and self-serving intimidation. I’d like to think we at Vanderbilt, the lucky few, are better than this — but now, I’m not so sure.

via ROUILLARD: The girl that ratted – InsideVandy: Opinion.

In a badass moment of solidarity, another student has written a shared letter declaring that she is the ‘girl who ratted.’  Sharing risk and making the threats of retaliation visible are both smart responses to the incident.  Julia Ordog explained her strategic thinking:

“I wanted to just do something to make my thoughts on it heard in a concrete way,” she added. Ordog also wanted to demonstrate her support for the alleged victim.

“I came up with this idea of ‘I am the Girl That Ratted’ because in my head, I was thinking about how it really could have been anyone, and how even though I haven’t been a victim myself, it’s something that I feel very passionately about,” she said. “I wanted it to be an ally statement, but also more powerful than that.”

She only circulated the letter to about 60 people initially, who she says were students she had talked to about the online postings, students who she knew were passionate about the issues involved, and close friends. The message spread throughout campus during the course of the day, with Ordog being contacted by several students requesting permission to forward her email along to others.

via ‘I am the girl that ratted’: Collegiate ACB thread sparks viral solidarity movement – News – Inside Vandy.

Small numbers, smart organizing and strategic thinking change culture.

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Harm reduction, EDM & ‘Molly’

Longreads suggested the tell-all essay on so-called molly and Electronic Dance Music festivals written by Shane Morris.  It is a good read with snappy prose and a strong argument that the EDM festivals are locations where lots of people seek drugs from one-time drug dealers who may sell them almost anything.

But I’m more taken with his follow up essay where he not only answers many of the criticisms and also suggests a series of solutions.

Much of what he suggests is harm reduction – trying to make risky behavior (of almost any stripe) less likely to result in damage.  But it is also a sincere plea for bystander accountability and a change in the culture of drug-users and those promoters who make money on festivals.

I’m only saying that it’s time the EDM community starts acting like the family it espouses itself to be. No more secrets. No more “turning around and pretending you didn’t see that happen.” No more fearing what might happen if you ask for help. No more pretending people aren’t getting hooked on Molly. If everyone in the EDM community collectively decides to help themselves, rather than bending to legislation, we can fix this. If we advocate a culture of safety, health, and honesty, we can correct the course of this ship before it maroons itself on the rocks.

Part I. We need a return of safe, “cool down” areas to EDM events. If we all acknowledge that people are going to do drugs, and it’s just something that happens, then we should also be able to acknowledge that every person deserves to be safe, healthy, and well. If you’re not feeling OK, there needs to be a place you can go and sit down, chill out, drink water, maybe even get a bag of ice and put it on your head.

via Finding Molly: Reconstructing Dreamland | Bro Jackson.

Morris also suggests people “call out the idiots promoting overconsumption,” and for transparency (including drug testing kits for prospective users).   He also commits to making his own music events more safe and offers up “safe word” as the catchphrase for a campaign of communication:

Here is his explanation:

In BDSM circles, using a safeword means things have gotten too much for you to handle, and you need to stop, without judgement. In that regard, I feel its purpose is well served here as well. If you’re at an event, and things have spun out of control for you, a friend, or perhaps a stranger you’re just looking out for–you should be able to remove yourself from the situation and know your safety is the primary concern, without fear of repercussions or judgement.

via Finding Molly: Reconstructing Dreamland | Bro Jackson.

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Filed under communication, dance, do-it-yourself, drugs, health, music, punishment, vulnerability

Cannibal Capitalism the Birdman edition

Photo of Birdman’s RG (perhapsRich Gang) and YMCMYSL (perhaps Young Money Cash Money Young Stoner Life) tattoos. Thanks to The Smoking Section for the photo, I assume taken from Birdman’s social media.

Birdman is trying to sign Young Thug to his record label.  To prove his sincerity he tattooed several Young Thug associated tattoos on his hands and face.

Cannibal capitalism is the mediated experiences of human suffering projected for human entertainment and profit.   It is obvious that the bodily impact of Birdman’s tattoos is a particular kind of communication.  Tattoos have often been the indication of long-term committment for gangs, military units and fans of musical artists.  Birdman’s tattoo is amplified on social media and through dozens of rap blogs.  It is a public communication of his commitment intentionally articulated to bring his company more profit (by signing a strong young artist).

In some ways the suffusion of cannibal capitalism into many so-called reality television shows (cooking shows, real estate flippers) is an indication of the desperation of many people.   But Birdman isn’t desperate (not in the poverty sense) — he can give expensive cars and jewelry to friends and label-mates.  I heard on NPR he just gave a Bugatti to Justin Beiber.

Fleeting fame and the potential for profit have encouraged more than one reality TV contestant to become a public exercise in morality and exclusion. (Did you hear about Stephanie on Top Chef when she cut herself and she went to the hospital?!?! How about that Survivor episode where that guy broke his leg? What a wimp!)

Cannibal capitalism can be mapped whenever a human is harmed and it is filmed and amplified for other people’s pleasure.  When this happens a particular morality of self-sacrifice is usually articulated.  Announcers and other contestants express just how someone should take the suffering.  In some ways the harm done to the body gives access to comment on the body.

In the case of Birdman’s new tattoo’s the morality expressed isn’t how tough Birdman was for getting the ink, but rather how idiotic it is to tattoo to something as fleeting as a new potential corporate rap alliance.   Here is the Smoking Section‘s Gotty mocking the social costs of multiple face tattoos.

We recognize that the fact that Birdman will never have to go to a job interview ever in his life. The Cash Money CEO’s so loaded his kids kids most likely will never have to worry about working either. With that said, his continuing effort to ink his whole body with scribblings dedicated to Cash Money subsidiaries is a little odd.

Actually, the “RG,” presumably for his Rich Gang management company, added to his right cheek isn’t that bad because what the hell would two more letters do to a face littered in tats? It’s the “YMCMYSL” scripted on his fingers that doesn’t make sense. Assuming the letters rep Young Money Cash Money Stoner Life as in Young Thug’s movement, that’s more confusing.

via Birdman Permanently Pays Homage To Young Thug | The Smoking Section.

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