Tag Archives: corporate propaganda

Sexism and corporate beef riding: Drake vs. Meek Mill

I have the faint sense that the Drake / Meek Mill ‘beef’ is a pre-planned public relations stunt.  Meek is dating Nikki Minaj a long time collaborator of Drake (via Young Money / Cash Money).   Both rappers have gained massive media attention and tons of new social media followers.  But I don’t know, it’s possible it started as a funny joke and then turned into a fight.  It’s also possible that this is a real scrap.

Given that the daily beef updates are worldwide news (CNN, New York Times, and dozens of ‘serious’ news outlets grabbed the story and have been breathlessly posting gossip and re-posting tweets).   It is worth checking out some of the themes that make this scrap significant.

  1.  Everyone sort of expected Meek Mill to do better against Drake.  It’s no secret that Drake is respected among hip hop folks, but seen as a johnny-come-lately former actor who sings his hooks.  He is a pop rapper, with the sales numbers and teenage fans to prove it.   This isn’t to take anything away from Drake, because in that formula has been a world dominating path to rap success.  In some ways beating Meek has been vital for his image.   His previous meme struggles had been the unerring connections of his rap career with his acting career.  Witness the Degrassi memes which swim around online Drake discussions.

2.  The key argument which seems to have ‘won’ Drake the battle against Meek Mill was just sexism.   Witness the lines from “Back to back:”

Is that a world tour or your girl’s tour?/ I know that you gotta be a thug for her/ This ain’t what she meant when she told you to open up more/ Yeah, trigger fingers turn to twitter fingers/ Yeah, you gettin’ bodied by a singin’ nigga/ I’m not the type of nigga that’ll type to niggas/ And shout-out to all my boss bitches wifin’ niggas/ Make sure you hit him with the prenup

via Drake – Back to Back Lyrics | Genius.

Cheap sexism — the idea that opening up for Nikki Minaj’s Pink print tour is too feminine to be legit for a real tough guy rapper.   Add in the suggestion in “Charged up” that Drake had sex (or never could) with Nikki Minaj and you’ve got perhaps the most over-used trope in rap.

I also think it is a clear insult to Nikki Minaj who is a phenomenal rapper and a stunning internet strategist.   That her success is an insult to Meek is also sexist.   The result was some ugly photo shop work to create images like this:

To mark the bodies as distinctly female and male with roles associated.  It is gender policing to suggest that any violation of these roles is unmanly or unfeminine.

3.  For some pitiful corporate social media coordinators, this beef has been an opportunity to interject their product.  Crappy corporate fast food chains have posted snarky jokes about beef and attempted to connect their brand to something current and edgy.   It seems trite to me, but the re-posts by passionate fans suggest that this branding strategy of riding the coattails has some significance.

I would call it trolling.  Corporations mock either Drake (usually Meek Mill) in a semi-related tweet hoping that fans will respond.  But that isn’t that far away from the origins of this beef — Meek attacking a target that seemed vulnerable at the time.

Much of the enthusiasm for the beef might come from the comeuppance of traditionalist rap sources (MMG, tough-guy rappers, Funk Master Flex (who has failed to emerge with much promoted Meek Mill responses) in favor of the new power in hip hop (pop media, savvy social media stars and mockery memes).   In some ways the internet makes this an accessible fight — one that encourages a certain amount of piling on.

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Propaganda of big soda

Thanks to consumerist.com for the alterered billboard image.

I gave up soda-type beverages a couple of years ago.  I certainly enjoyed the carbonated, caffeinated little cans of wonder, but somehow I knew that they weren’t good for me.  As a scholar of propaganda, I’m amazed at how similar the large soda manufacturing companies are to the large tobacco manufacturing companies.

The comparison is mostly that they seek to change audiences minds without letting them know that they have a vested interested in selling more soda. I’m not the only one who noticed this comparison.  Kelly Brownell writes the following in Time Magazine:

The soda industry funds scientists who reliably produce research showing no link between SSB consumption and health. The tobacco industry bought favor from community and national organizations by giving large donations. In an ironic twist, Coca Cola and PepsiCo are corporate sponsors of the American Dietetic Association.

The soda industry hit a new low this year. In 2010, Philadelphia’s mayor and health commissioner had both supported an SSB tax and came within one vote of having the tax passed by the city council. In 2011, when the mayor made it clear he would reintroduce the tax, the industry created an organization called Foundation for a Healthy America, which gave a gift of $10 million to the Children’s Hospital of Philadelphia for research and prevention of childhood obesity. Would the hospital accept money from a tobacco company to study anti-smoking programs? The hospital tried to give some of the money to the city to run obesity programs through city health centers, but the mayor refused on the grounds it was funded by the beverage industry.

via Kelly Brownell on the Dirty Tactics of Soda Companies | TIME Ideas | TIME.com.

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