Turns out that the 3-part New York Times (you still suck) documentary is available at youtube. Worth watching for the discussion of representation, violence, and consumption of sports bodies. Cannibal capitalism – mediated violence where viewers devour the bodies of sports stars who are trading of their bodies for fame.
Category Archives: capitalism
Cannibal capitalism: Derek Boogaard, hockey and head trauma
Filed under capitalism, documentary, health, media, sport
Cannibal capitalism: Chief Keef and rehab
I’m interested in the idea that folks would become famous because they harmed themselves or allowed someone else to harm them on camera. I’ve been calling it cannibal capitalism – as a means of describing this wide scope on popular media. Cannibal in the sense that viewers consume of the body of another human being who is on camera taking years off of their life
Chief Keef is in rehab for ganja and let’s loose with some great insights about how unpleasant it is.
Nestled inside a nondescript beach house, one of hip-hop’s most controversial rising stars is holed up in court-ordered rehab, and he’s feeling frustrated and alone.
“It’s like being locked up,” Chief Keef, 18, tells Billboard, in his first interview since he entered rehab. “And when I’m locked up, I don’t want anybody to come see me. I won’t let my family come here. I haven’t seen my 2-year-old daughter.”
via Chief Keef Talks Rehab, ‘Bang 3’ Album & Learning How to Surf | Billboard.
Cannibal Capitalism is best thought of as a pattern of mediated communication about morality. Along with viewing people getting hurt and enjoying it (Jackass, NFL, Ultimate Fighting) we also get the moral commentary from the narrators and participants about that suffering.
Part of the narration of morality that comes with hip hop and cannibal capitalism is a kind of racism+classism+paternalism. When the articles were popping about Odd Future, the dominant story was just how naughty they were and emphasizing the difficulties they got into. Very little conversation about music, and heavy emphasis on the disciplining of (usually) young black men.
The quote from the Billboard article is the opening passage. Do you think it invites a kind of moral judgement? Do you wonder what this rapper did to get this punishment? Is it framed in a way to encourage you to read it as an omniscient person who hasn’t had this kind of difficulty, shaking your head in faux-sympathy?
There is no doubt that Chief Keef is at the core of a major moral panic. One part of the division is the fascinating language used to divide people up. Richard Sherman and the significance of the representation of thug:
I wonder if the exciting pleasure of the music and imagery of Chief Keef experiencing suffering, particularly mapping up to the discipline and punish strategy of suffering/redemption (recycled) is part of the appeal?
Public consumption of rap stars and their back stories usually includes a kind of nefarious sharing of information. I went over to my buddies house and we listened to music and also to a 5 minute rant from KRS-ONE threatening some dude over a van robbery.
Hip hop fans are usually fiends for gossip, and interested in the music, culture, language and well, anything of our favorite musicians.
Filed under capitalism, communication, hip hop, media, prisons, punishment, race, representation
Elton John in Russia
I appreciate Elton John speaking loudly about his opposition to the Russian anti-gay legislation in Russia. I also think this is an elegant justification for Elton John to circumvent a boycott.
It also happens to be a justification that probably makes Elton John a whole lot of money.
Don’t get me wrong, it is excellent to see pop stars expressing their politics. And I think Elton John is a super bad-ass. (Remember that he stood up to some heavy bullying and blackmail from a newspaper in the UK). And I think that he has credibility and status for his opinion to be widely amplified.
Filed under capitalism, communication, Gay, human rights, protest
Surveillance as fame: Chief Keef
Ben Austin in Wired:
We naturally associate criminal activity with secrecy, with conspiracies hatched in alleyways or back rooms. Today, though, foolish as it may be in practice, street gangs have adopted a level of transparency that might impress even the most fervent Silicon Valley futurist. Every day on Facebook and Twitter, on Instagram and YouTube, you can find unabashed teens flashing hand signs, brandishing guns, splaying out drugs and wads of cash. If we live in an era of openness, no segment of the population is more surprisingly open than 21st-century gang members, as they simultaneously document and roil the streets of America’s toughest neighborhoods.
via Public Enemies: Social Media Is Fueling Gang Wars in Chicago | Underwire | Wired.com.
Filed under capitalism, communication, hip hop, media, music, representation, Surveillance
Mixtape media: DJ Drama
Thanks to Nah Right for the two part interview with mix tape innovator DJ Drama. Here are my favorite snippets from the interview, starting with some DJ insights:
“And I was an East Coast type of guy with my taste. When you come to school, particularly in a place like Atlanta, you’ve got so many people from so many places. So I had to relearn how to DJ, and it made me much more of a worldly DJ than I might have been [if I stayed] in Philly. You had people from California, and people from D.C. that wanted hear go-go, and people from the islands. You got your people from Atlanta that want to hear A-Town shit. Then there’s people from New York. So you gotta learn how to please a bunch of people.
via Mixtape Memories with DJ Drama (Part 1)Nah Right.
I appreciate him noting that it was the absence of mixtape DJs working with southern artists that created his lane.
“There was a store called Tapemasters, my man Marco used to work in there. And I would try to sell my CDs in there, but I would get blown out, because I was making East Coast CDs trying to compete with Whoo Kid and Kay Slay and Clue, and no one was checking for me because I was getting beat to the punch [by them having the exclusives before me]. So my senior year of college, I realized that I needed to make a South tape. And that shit flew like hot cakes. The first song ever on the pre-Gangsta Grillz DJ Drama South tape was ‘Bling Bling.’ That was like ‘99. And Marco was like, ‘You need to focus on your neo-soul tapes, and your South tapes. That’s where you have niches at.’
via Mixtape Memories with DJ Drama (Part 1)Nah Right.
Part II here.
Filed under capitalism, do-it-yourself, hip hop, media, music
Smart thinking about white indignation and trolling
I’m completely feeling three arguments from Robin James at Cyborgology about the indignation over the Robin Thicke/Miley Cyrus VMA performance.
1. White indignation is a way to self-identify as better-than.
What are we supposed to find likeable in all this? If the aim of the performance is trolling, then we’re not supposed to find it likeable, but irritating and infuriating. I wonder if, in a particularly insidious way, we white people/white feminists are supposed to like what we think is our righteous outrage at the performance? It’s insidious because what is felt (and often intended, at least superficially) as a performance of anti-racist outrage actually further cements our privilege vis-a-vis white supremacist patriarchy? Sharing the pics and gifs of black artists’ reaction shots (the Smith family, Rihanna, Drake), and all the positive feedback we get from this, tells us that we’re “good” white feminists? And this knowledge of our goodness is what we’re liking and aesthetically enjoying? (I’m phrasing these points as questions because they’re genuinely hypotheses–they seem right, but maybe I’m overlooking something?)
via Trolling Is the New Love & Theft » Cyborgology.
No, you are not overlooking something.
2. James also argues that new media enables sexist and racist communications to be quantified and amplified through critique via social media commentary and thus sanitized.
But today, in what we tell ourselves is a post-feminist, post-racist society, perhaps the way to dis-identify with the neoliberal mainstream is to identify with the objects of its disdain: sexism and racism. As before, the dis-identification with the mainstream is an attempt to prove one’s elite status above that mainstream. This eliteness isn’t conceived or expressed as vanguardism (being ahead of the pack), but as human capital, often quantifiable in/on social media. It’s not who’s most shocking, but who’s trending most on twitter the day after the VMAs, for example. Just think about the way Thicke’s “Blurred Lines” performances constantly throws #THICKE up on some screen.
via Trolling Is the New Love & Theft » Cyborgology.
3. The best point James makes is framing this kind of cultural appropriation + rape supportive culture + toxic corporate media garbage to be a form of trolling. Pushing our buttons in order to get more attention. Now, this is a smart argument — it gives a way to better understand the reasons why Thicke’s rape song and Cyrus’ twerking are bothersome.
I also think it might point to a kind of consumptive desire in the audience not only to distinguish themselves through mockery, but also to desire to view and replay the suffering of the mocked.
Filed under capitalism, communication, cultural appropriation, feminism, human rights, learning, media, music, race, representation, sexual assault
50 worst charities
The Tampa Bay Tribune has a bone-chilling series of investigative reports on sketchy charities. Salute to primary researchers Kris Hundley and Kendall Taggart for the year-long project. A little stomach-churning taste:
Collectively the 50 worst charities raised more than $1.3 billion over the past decade and paid nearly $1 billion of that directly to the companies that raise their donations.
If that money had gone to charity, it would have been enough to build 20,000 Habitat for Humanity homes, buy 7 million wheelchairs or pay for mammograms for nearly 10 million uninsured women.
Instead it funded charities like Youth Development Fund.
The Tennessee charity, which came in at No. 12, has been around for 30 years. Over the past decade it has raised nearly $30 million from donors by promising to educate children about drug abuse, health and fitness.
About 80 percent of what’s donated each year goes directly to solicitation companies.
Most of what’s left pays for one thing: scuba-diving videos starring the charity’s founder and president, Rick Bowen.
Bowen’s charity pays his own for-profit production company about $200,000 a year to make the videos. Then the charity pays to air Rick Bowen Deep-Sea Diving on a local Knoxville station. The program makes no mention of Youth Development Fund.
Filed under capitalism, health, learning, media, propaganda, representation
Cannibal capitalism poker edition
Cannibal capitalism is the performance of bodily suffering amplified by mass media.
It is cannibalistic because humans consume humans. Viewers watch human beings exchange of their well-being for our entertainment. Put another way, some people find it profitable to harm themselves in the name of their work, which happens to be televised. And some people make money on the whole exchange.
I don’t think the concept is all that new or inventive, it just happens to be useful to describe a pattern 0f commonly repeated media tropes. Consider an athlete who picks themselves up after an exceptionally hard crash. Television highlight films, complete with expert commentary will fill our lives with the painful exchange. “She really took a bruising, bone crushing hit there . . . what a soldier getting back in the game.”
Re-reading a Grantland series on the 2003 World Series of Poker I noticed a paragraph about the impact the long-hours of playing poker had on the participants. Farha is the runner-up and Harrington came in third place in 2003.
Farha: For five days, I had no sleep. None. I did not sleep. And the last day, the reason I lasted, I drank 20 Red Bulls, about 20 cups of coffee. I could not function.
Harrington: I’ve played a lot of different games, chess, backgammon, whatever, where you had to put in long, grueling hours. If you get down near the end, where victory depends on you being alert, I could dig down and get something out of myself to give that final push. Well, at that final table, I dug down, and there was nothing there. I hit the wall. Here’s how bad it was: When it got down to me, Sammy, and Chris, I wanted to bet 75,000, which was the right bet for that situation. I sat there and I couldn’t calculate how to make the bet. I had a whole bunch of 25,000 chips in front of me, and I could not figure out how to get to 75,000. It was an insurmountable problem.
Cannibal capitalism is often accompanied with mediated commentary — either praise or blame about how the person who experienced the suffering took it. In the case of Farha, the runner-up in 2003, it seemed his many hours of extra poker play became a justification for his ultimate loss.
Later Harrington gives this insight:
Harrington: After I busted in third place, ESPN asked me for a prediction, and I told them, “No one over 40 is ever going to win this tournament again.” It’s become an endurance contest. The next year, I was at the final table again. I was sitting next to a younger player. He nudged me and said: “I know you tell everyone how brutal it is on you to get down to this point in the tournament, you don’t have the energy. Well I’m 28, and it’s brutal on me, too.”
Filed under capitalism, communication, gambling, media, representation