Category Archives: media

Valuable documentary: Black in Latin America

Henry Louis Gates has produced a wonderful new documentary series Black in Latin America.  It is a series that looks at the historical representations of the importation of African slaves in Haiti, the Dominican Republic, Mexico, Peru, and Brazil.  Each episode is pretty strong standing alone, but viewing them together really helps to synthesize some of the shared dynamics — the ideas cross over episodes.

Particularly interesting to me is the impact that cane sugar has on European tastes and the relationship sugar has to plantation economies.   When Toussaint L’Ouverture and the Haitian rebellion denied Europe this now vital commodity, Cuba is flooded with slaves to gear up sugar cane production.   This not only allows European flavor access, it also speaks to the compelling desire to never be without refined sugar.  Not to mention enabling France and the United States to isolate and embargo the newly-emancipated Haiti, crushing the economy and facilitating US military take-over.

Also fascinating are the attempts to ‘whiten’ the populations by encouraging immigration from Europe and the impact this has on racial self-identification.  As Gates notes when asked about the racial difference between the nations in the documentaries and the US he notes:

Whereas we have black and white or perhaps black, white, and mulatto as the three categories of race traditionally in America, Brazil has 136 kinds of blackness. Mexico, 16. Haiti, 98. Color categories are on steroids in Latin America. I find that fascinating. It’s very difficult for Americans, particularly African-Americans to understand or sympathize with. But these are very real categories. In America one drop of black ancestry makes you black. In Brazil, it’s almost as if one drop of white ancestry makes you white. Color and race are defined in strikingly different ways in each of these countries, more akin to each other than in the United States. We’re the only country to have the one-drop rule. The only one. And that’s because of the percentage of rape and sexual harassment of black women by white males during slavery and the white owners wanted to guarantee that the children of these liaisons were maintained as property.

via Q&A with Professor Henry Louis Gates, Jr. | Black in Latin America | PBS.

Gates covers the history with a certain quickness.  But he get’s at the cultural impact — in each nation we find some folks whitening, changing the features on statues and in history books, shifting the representation of black leaders to affirm non-blackness.  He also maps the resistance of music, religion, language and the threads of political pan-African identity.

This is a massive topic and I would watch a 12 or 15 part series on the subjects.   It is a shame that Gates only has five episodes to get at the story.  He does an admirable job organizing the ideas and also exposing current themes in each nation that point back to their historical relationship to the slave economy.

The episodes are up for viewing on pbs.  Highly recommended.

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Propaganda: facebook vs. google

Propaganda impedes the ability of the viewer/listener to distinguish who is making the message.  Facebook hired a P.R. firm (Burson-Marsteller) to plant semi-bogus stories about privacy concerns in the media.  Here is the Guardian on this trickery:

Suspicions in Silicon Valley were aroused earlier this week when two high-profile media figures – former CNBC tech reporter Jim Goldman, and John Mercurio, a former political reporter – began pitching anti-Google stories on behalf of their new employer, Burson-Marsteller. The pair consistently refused to disclose the identity of their client.

Goldman and Mercurio approached USA Today and other outlets offering to ghost write op-ed columns and other stories that raised privacy concerns about Google Social Circle, a social network feature based on Gmail.

In their pitch to journalists, the pair claimed Social Circle was “designed to scrape private data and build deeply personal dossiers on millions of users – in a direct and flagrant violation of [Google’s] agreement with the FTC [Federal Trade Commission]”.

Facebook’s cover was blown when Burson-Marsteller offered to help write an op-ed for Chris Soghoian, a prominent internet security blogger. Soghoian challenged the company’s assertion that Social Circle was a privacy threat and accused them of “making a mountain out of a molehill”.

Soghoian was stonewalled by Burson-Marsteller when he asked them who their client was. He later published an email exchange between himself and Mercurio.

Cordasco said on Thursday: “Now that Facebook has come forward, we can confirm that we undertook an assignment for that client.

via Facebook paid PR firm to smear Google | Technology | guardian.co.uk.

Offering to ‘ghost-write’ stories is fairly common in P.R. circles.  A casualty of the 24-hour news cycle, many reporters and editors are on constant copy hunts.  The lengthy time given to reporters to fact check has mostly disappeared instead replaced with quick internet searches.  Corporations (and their public relations mouthpieces) can offer to write the whole article in journalistic prose and then offer the article to a well-known pundit (or a beat reporter).

For those reporters on the grind — it is like a sudden snow-day off from school —  you are freed from the responsibilities of actually reporting.  But of course for those of us who still wish that mass media was actually reflecting accurately what someone SAW this is a tragic development.

But of course, the tendrils of internet companies (and google in particular, the medium by which many 0f us do our own ‘fact-checking’) quietly re-adjusting written history is a terrifying possibility.

Internet barriers presented by nations (China for instance) quickly become comfortable to the citizens. Evan Osnos wrote a fascinating essay describing his conversations and observations on a Chinese tour of Europe.  When he asks one of his fellow tourists if they used Facebook, he comes up with this reflection.

I asked Promise if he used Facebook, which is officially blocked in China but reachable with some tinkering. “It’s too much of a hassle to get to it,” he said. Instead, he uses Renren, a Chinese version, which, like other domestic sites, censors any sensitive political discussion. I asked what he knew about Facebook’s being blocked. “It has something to do with politics,” he said, and paused. “But the truth is I don’t really know.” I recognized that kind of remove among other urbane Chinese students. They have unprecedented access to technology and information, but the barriers erected by the state are just large enough to keep many people from bothering to outwit them. The information that filtered through was erratic: Promise could talk to me at length about the latest Sophie Marceau film or the merits of various Swiss race-car drivers, but the news of Facebook’s role in the Arab uprisings had not reached him.

via Chinese Citizens on Tour in Europe : The New Yorker.

It isn’t so much that any citizen of any nation censors themselves to protect the nation, but we swim in so much state-oriented media that it would be impossible to know what we don’t know.  Those elements that are forbidden to us, must be inaccessible for a good reason.

In this context, we should probably argue that corporate media filtration is more dangerous than national media filters.  As Osnos points out, people can circumvent national information barriers, but it is trickier to outwit google or facebook.

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Profit, fear and forming the pack: Hunter S. Thompson

I finished Hunter S. Thompson’s Hell’s Angels yesterday.   The epic piece of journalism in which he is ’embedded’ in the motorcycle gang for a few months holds up well, although I’m astounded to see how much casual racism is in his writing.

Two nice quotes need to be archived here for discussion.  One about profit and fear.  The Bass Lake section of the book describes an Angel run to a tiny lake resort.  One store proprietor refuses to sell the Hell’s Angels beer, while another makes a big profit not only from beer sales, but also from the spectacle of Angels.  Thompson writes:

So it must have been a giddy revelation for the Bass Lake Chamber of Commerce to discover that the Hell’s Angels’ presence — far from being a plague — was in fact a great boon to the tourist trade.  It is eerie to consider the meaning of it.  If the Hells Angels draw standing room only any half-hip chamber-of-commerce entertainment chairman should see the logical follow-up; next year, bring in two fighting gangs from Watts and pit them against each other on one of the main beaches . . . with fireworks overhead while the local high school band plays Bolero and “They Call the Wind Maria” (147).

I thought I owned a copy of this book, but couldn’t find it, so I stopped by the library to get a copy.  The librarian reminded me that Hunter S. Thompson books tend to get boosted from the library.  Now that is a legacy.

The other quote that struck me was about the Marlon Brando movie The Wild One which was an fictionalized antecedent to the moral panic of motorcycle gangs running amok.  Thompson makes the case that the film itself helped to create rebel identity — solidifying a previously misty image of themselves.

The truth is that The Wild One — despite an admitted fictional treatment–was an inspired piece of film journalism.  Instead of institutionalizing common knowledge, in the style of Time, it told a story that was only beginning to happen and which was inevitably influenced by the film.  It gave the outlaws a lasting romance-glazed image of themselves, a coherent reflection that only a few had been able to find in a mirror, and it quickly became the bike rider’s answer to the The Sun Also Rises (66).

In the field of communication this process of identity formation might be called ‘constitutive rhetoric.’  To create an audience by virtue of their description in media.  From Mountain Dew consumers, to the folks who tattoo themselves with the Nike logo, this is a valued space for inquiry.

It is worth noting that the previous person who took out his book was inspired to capture a small pixie or bat in between two of the pages.  The way people will store old leaves in a book, this lunatic stored old dead critters.  I discovered this when a few pages before the creature a sinister stain began to emerge in the middle of each page.  Engaged I simply turned the pages, avoiding the funky stain.  And then  in the middle of chapter two, two pages stuck together cradling a dead being.

Selah.

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