Category Archives: representation

Amazing modernist cuisine videos

I had a sodium alginate olive at Jose Andres’ restaurant in D.C..  It was more than impressive.  Arriving on a spoon and looking like a jiggly dollop of self-contained olive pudding, the olive skin burst in my mouth and it was like eating a dozen olives at once.

Youtube user enthusiochefs has some stunning videos of modernist cuisine.  Lets start by watching someone reconstruct baby corn on the cob?

Or powdered ice cream inside candied strawberries?!?!  (I know the gelatin isn’t vegetarian.  I’m not going to make these, nor do I think that someone should eat animal hooves.   I’m impressed with the videography and the ten billion steps to get this desert right. Yo!  Molecular gastronomists: make more vegetarian science food!)

I might just mess with this clementine sorbet with candied pumpkin seeds:

I’m certainly going to spend more time cooking with tweezers. Salute to the innovators!

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Filed under food, learning, representation, vegetarian

Direct action to organize jailed immigrants

Marco Saavedra being arrested. Photo by Steve Pavey from the American Prospect.

Please read this article by Michael May on young activists who are getting arrested in order to organize immigrants in detention facilities.

The success of the campaign made the three activists wonder: Could they replicate it on a grand scale by getting themselves detained on purpose? Inside immigration detention facilities, they would surely find dozens, if not hundreds, of low-priority detainees like de los Santos whom they could help. At the same time, they could publicize the fact that it wasn’t just criminals who were being deported, as the Obama administration kept insisting. “We realized we could be more effective if we just went straight to the source,” Abdollahi says. Doing so would flip the script on immigration agents; the activists would be taking advantage of their undocumented status and thus could be detained and deported. Deportation was unlikely, because they were Dreamers without serious criminal records. Even so, this would make the risk they’d taken in Charlotte look like nothing. But Saavedra, Abdollahi, and Martinez had been growing more fearless, and more radical, since they’d met.

via Los Infiltradores.

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Filed under human rights, prisons, protest, representation, resistance

Felicia the ferret: animals and science

Felicia the ferret. Image taken from Fermilab.

Scientific knowledge comes from inquiry into the natural world.  It is a valuable and important part of human existence.  As we learn and invent, it is equally important that we constantly reflect on how we do science — it is just as important to refine — to do science better.

I believe that using animals for experimentation is unethical.

I have a brief pause, reading the old articles about Felicia the ferret, who helped to clean the tubes at the National Accelerator Laboratory in Illinois.  There is something sweet about Felicia’s work that belies my understanding of animals in research laboratories.  Here are a few examination of the 1971 newspaper descriptions of this ferret used for science.

1. Natural aptitude

It seems as though each article describes the natural skills that make Felicia the ferret particularly capable of the tasks she is given (running a string through 300 foot tubes).  David Anderson’s article highlights the role of Robert Sheldon, the scientist who suggested that the lab try a ferret.

Being British, Sheldon remembered the use of ferrets by poachers who sent them into burrows after rabbits on English estates. Gamekeepers could hear the shooting of guns, but never the silent ferrets.

“Felicia is ideal for the work,” Pelczarski said. “The ferret is an animal filled with curiosity and seeks out holes and burrows. Its instinct is to find out what’s at the other end of a burrow, or, for that matter, a tube or a pipe.”

via Fermilab History and Archives Project | Natural History – Wildlife – Felicia Ferret.

2. Feminizing Felicia

Felicia the ferret is feminized at a number of points in the articles. Consider Peter Vaughn’s Minneapolis Star essay.  The introduction begins:

It is one of those success stories you read about: A small-town girl fresh off the farm finds fame and fortune.

Well, Felicia, who spent her early years on the farm of Stan Fredin near Gaylord, Minn., isn’t the average Minnesota farm girl.

In the first place, her hair is three different colors – brown, white and black.

Also, she is small as Minnesota girls go, barely topping 4 inches when on all fours.

Felicia is a ferret and left Fredin’s farm early this summer for a job with the National Accelerator Laboratory in Batavia, IL.

via Fermilab History and Archives Project | Natural History – Wildlife – Felicia Ferret.

Several of the articles suggest that Felicia be rewarded with a mate — each time the suggestion was denied because if she became pregnant she might not fit through the small holes she was being trained to run through.

She has her own special set of weight watchers, including Sheldon, who just doesn’t intend to let her get too big for the job.

Asked why there was only one ferret, Sheldon laughed and said, “If you think she needs company, you’re not really thinking ahead. We have to. Motherhood might just put her out of a job. Her career depends on her size. She’s important to us, but one is enough.”

via Fermilab History and Archives Project | Natural History – Wildlife – Felicia Ferret.

3. Memorializing Felicia to justify the use of animals in science.

Many of representations in these four articles are justifications for breeding, enslaving and using an animal for someone’s gain.

Part of the problem is that Felicia is a particular case — her work didn’t involve being cut open or enduring a painful series of experimental drugs.  Everyone can be sold the bogus particular story of a cute rodent running through the tubes bravely helping the scientists.  Contrast that to the 13 million animals being used in research.  The American Anti-Vivisection Society note that most of the test subjects are mice, rats and other rodents . . . like cute little Felicia!

Though the scientific value and ethics of animal research are increasingly being questioned, it is estimated that over 13 million animals are still being used in a wide variety of research projects every year in the United States. Purpose-bred birds, rats, and mice, as well as fish and other cold-blooded animals, make up the vast majority of the animals used in research (over 90 percent), yet are specifically excluded from the Animal Welfare Act. As a result, the U.S. Department of Agriculture (USDA) does not keep records of the use of these animals, nor is there any legal requirement to afford these animals even the minimal standards of care provided by the Animal Welfare Act.

via Animals Used in Research – The American Anti-Vivisection Society (AAVS).

Which makes the particularizing and justifying of this individual animal’s story so worthy of amplification.  Kathryn Winslow’s plaintive profile of the ferret is a pretty stark contrast to the usual life of a ferret in a research laboratory.

Felicia turned out to be a virtuoso at her work. She carried whatever was fastened to her harness for long distances, sometimes around many obstacles on the course. Those working with her were so pleased that they wanted to reward her at the open end of her journey, but they could not find a tidbit she particularly longed for. She was happy enough to see her cage at the end of the journey, the only lure that was ever used to bring her out at the other end.

She was soon famous. She has been talked about on radio, seen on television numerous times, and been written up in magazines and newspapers with national and international coverage. She stars in a television film to be released soon in Europe. Her personal “manager” at the laboratory is Walter Pelczarski, who lives in Clarendon Hills.

via Fermilab History and Archives Project | Natural History – Wildlife – Felicia Ferret.

This particular article notes that Felicia became famous for her participation in the cleaning of the tubes — an animal celebrity.   Why would this ferret get it’s own movie?  From an anthropocentric perspective this cute furry animal that solves a little problem in this giant scientific endeavor grounds the abstract science in a narrative that is comfortable.

Felicia didn’t want to go through those tubes, she was bred and raised particularly for this task.  She was trained and rewarded, and of course kept in a cage for most of her life.

When Felicia’s job running a string down the particle accelerator tubes was given to a small robot, the romantic save-the-particular-animal trope becomes more visible.  Again Kathryn Winslow in the Tribune:

This good life may soon end for Felicia. The laboratory scientists have designed and built a mechanical ferret, a device activated by compressed air and controlled by wires. They don’t need Felicia anymore. This was always the plan, with Felicia to be used only temporarily, while they built her robot.

But now Felicia is famous and she has a following of people concerned for her welfare; people who do not want to see her sent to a museum as an exhibit, which is what the laboratory may do with her two weeks from now.

They are thinking of sending her to Oak Ridge, Tenn., where there is a live museum of animals and creatures that have made a contribution to science. There are mice, guinea pigs, and snakes there, among other exhibits.

But it’s no place for Felicia, who is a pet and needs the affection of human beings. Will it take an act of Congress to save Felicia?

via Fermilab History and Archives Project | Natural History – Wildlife – Felicia Ferret.

Here is to an act of congress that frees all animals in captivity being used for experimentation.  If it’s good enough for Felicia, I bet it’s good enough for the ferret getting injected with Influenza virus down the road.

(Thanks to Boing Boing for the link to the Fermilab history and Archives project!)

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Filed under Animals, communication, juxtaposition, memorial, nature, representation, science

50 worst charities

The Tampa Bay Tribune has a bone-chilling series of investigative reports on sketchy charities.   Salute to primary researchers Kris Hundley and Kendall Taggart for the year-long project.  A little stomach-churning taste:

Collectively the 50 worst charities raised more than $1.3 billion over the past decade and paid nearly $1 billion of that directly to the companies that raise their donations.

If that money had gone to charity, it would have been enough to build 20,000 Habitat for Humanity homes, buy 7 million wheelchairs or pay for mammograms for nearly 10 million uninsured women.

Instead it funded charities like Youth Development Fund.

The Tennessee charity, which came in at No. 12, has been around for 30 years. Over the past decade it has raised nearly $30 million from donors by promising to educate children about drug abuse, health and fitness.

About 80 percent of what’s donated each year goes directly to solicitation companies.

Most of what’s left pays for one thing: scuba-diving videos starring the charity’s founder and president, Rick Bowen.

Bowen’s charity pays his own for-profit production company about $200,000 a year to make the videos. Then the charity pays to air Rick Bowen Deep-Sea Diving on a local Knoxville station. The program makes no mention of Youth Development Fund.

via America’s 50 worst charities rake in nearly $1 billion for corporate fundraisers Dirty secrets of the worst charities | Tampa Bay Times.

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Filed under capitalism, health, learning, media, propaganda, representation

Bad Brains: this band is obviously better than any other band

Totally grooving on the un-embeddable Bad Brains documentary: A Band in D.C.  Click the link.  Watch the video.  Learn and get inspired. 

Thanks to Gwarizm for the link. 

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Filed under do-it-yourself, documentary, funk & soul, music, punk, race, representation

Cannibal capitalism poker edition

Cannibal capitalism is the performance of bodily suffering amplified by mass media.

It is cannibalistic because humans consume humans.  Viewers watch human beings exchange of their well-being for our entertainment.  Put another way, some people find it profitable to harm themselves in the name of their work, which happens to be televised.  And some people make money on the whole exchange.

I don’t think the concept is all that new or inventive, it just happens to be useful to describe a pattern 0f commonly repeated media tropes.   Consider an athlete who picks themselves up after an exceptionally hard crash.  Television highlight films, complete with expert commentary will fill our lives with the painful exchange.  “She really took a bruising, bone crushing hit there . . . what a soldier getting back in the game.”

Re-reading a Grantland series on the 2003 World Series of Poker I noticed a paragraph about the impact the long-hours of playing poker had on the participants.   Farha is the runner-up and Harrington came in third place in 2003.

Farha: For five days, I had no sleep. None. I did not sleep. And the last day, the reason I lasted, I drank 20 Red Bulls, about 20 cups of coffee. I could not function.

Harrington: I’ve played a lot of different games, chess, backgammon, whatever, where you had to put in long, grueling hours. If you get down near the end, where victory depends on you being alert, I could dig down and get something out of myself to give that final push. Well, at that final table, I dug down, and there was nothing there. I hit the wall. Here’s how bad it was: When it got down to me, Sammy, and Chris, I wanted to bet 75,000, which was the right bet for that situation. I sat there and I couldn’t calculate how to make the bet. I had a whole bunch of 25,000 chips in front of me, and I could not figure out how to get to 75,000. It was an insurmountable problem.

via The oral history of the 2003 World Series of Poker, in which Chris Moneymaker turned $39 into $2.5 million – Grantland.

Cannibal capitalism is often accompanied with mediated commentary — either praise or blame about how the person who experienced the suffering took it.  In the case of Farha, the runner-up in 2003, it seemed his many hours of extra poker play became a justification for his ultimate loss.

Later Harrington gives this insight:

Harrington: After I busted in third place, ESPN asked me for a prediction, and I told them, “No one over 40 is ever going to win this tournament again.” It’s become an endurance contest. The next year, I was at the final table again. I was sitting next to a younger player. He nudged me and said: “I know you tell everyone how brutal it is on you to get down to this point in the tournament, you don’t have the energy. Well I’m 28, and it’s brutal on me, too.”

via The oral history of the 2003 World Series of Poker, in which Chris Moneymaker turned $39 into $2.5 million – Grantland.

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Filed under capitalism, communication, gambling, media, representation

Daft Punk on the mask

I’m really fascinated by any artist who performs in a mask.  Daft Punk point out a few good ideas in this profile in Pitchfork.  One of the most interesting ideas is their reference to the wage-serf people under the theme park costumes.  Ryan Dombal:

THE PYRAMID BLOWOUT WAS AKIN to your typical rock star extravaganza in scale and scope, but also laced with the more inclusive and diffusive aspects of traditional DJ gigs, where everyone’s the star. It put Daft Punk in a unique position within contemporary music’s personality-driven ecosystem: legitimately famous and faceless. To this point, Bangalter compares their situation to Batman (“we feel that the pyramid was like our Batmobile”), Cinderella (“after the show is over, we go back to anonymity and normality”), the Wizard of Oz (“we’re just guys behind a curtain pushing the knobs and creating the spectacle”), and a dude in a Mickey Mouse costume at Disney World (“if you have 100 kids around you all day long, are you not becoming big-headed?”). Their mechanized identities also act as a buffer for the out-of-control egomania that could result from a sea of people losing their shit in your general direction as you stand over them from the apex of a million-watt triangle.

via Cover Story: Daft Punk | Features | Pitchfork.

I remember getting a series of photos with oversized plush Shaggy and Scooby characters in some upstate New York theme park. Upon reflection, it was one of the most one-directional emotional exchanges I’ve ever had in a commercial setting.

I gushed to these paid actors.  I talked about how many days after school I had scrambled home to watch  Scooby Doo during the days of three channels. I’m sure I wasn’t alone — in essence these workers accepted adoration while cooking in the suits.

Here is Peter Mandel in a witty overview of what it is like inside the suit.  He  volunteers to wear a plush costume (Patrick from Spongebob Squarepants) for a day in a theme park.

1:35 p.m. I step into giant fuzzy leg pods and pull up my mesh-style underwear and suspenders. Next come a pair of massive pea-green pantaloons.

Patrick’s head and body unit is heavy — under the pink fuzz there’s a structural shell. I need help from Vest and an assistant to hoist it over my head and get my arms through the knapsack-style harness inside.

SpongeBob’s suit, I’m told, is equipped with a personal fan. Nothing fancy like that in mine. It’s like a tropical evening in here: dim, roughly the color of sunset, scraps of thread and duct tape hanging limp in the humid air.

As a final touch, I attach some Velcro straps and slide my arms into the arm pods, which I try to flap using subway-style fabric straps. Voila.

2:25 p.m. Vest and her assistant explain the rules. No talking in the suit. No food. No gum. No running. No signing autographs (how could you grip a pen with a flipper?). And no embellishing the costume.

“Once SpongeBob came out with a bracelet on,” explains Vest, “that’s supposed to go with Dino from the Flintstones. Someone was like, ‘Hey, look, SpongeBob has bling!’ I had him back in the shack in two seconds.”

via Peter Mandel: A Day In The Life Of A Theme Park Character.

 

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Filed under communication, juxtaposition, media, music, representation

Digital direct action: accountability for rape

From the Mother Jones article.

Josh Harkinson has written an excellent essay on the digital direct action involved in the documentation of the Steubenville rapes and a Canadian instance of sexual assault and cyber-bullying which resulted in death of Rehtaeh Parsons. 

I didn’t know that Anonymous had helped to document the evidence about the Steubenville Ohio assault (much of it drawn from social media).

About two weeks later, the Anonymous subgroup KnightSec hacked RollRedRoll.com. The hackers posted the incriminating tweets, Saltsman’s Instagram photo, and the names of 11 bystanders. “This is a warning shot,” said a video communiqué featuring a computer-generated voice and the group’s trademark Guy Fawkes figure. The video (watch below) warned that KnightSec would release the phone numbers and Social Security numbers of the entire football team unless “all accused parties come forward by New Year’s Day and issue a public apology to the girl and her family.”

via Exclusive: Meet the Woman Who Kicked Off Anonymous’ Anti-Rape Operations | Mother Jones.

One result of the increased focus was the visibility of community support for the rapists.   In some ways the hacking made community accountability in Steubenville possible.  And after the evidence had been released, Anonymous hosted at least nine protests to force police action against the perpetrators. After one significant video was released the numbers swelled to what might be described as critical mass and in front of thousands of angry protesters, the women of Steubenville spoke about other rapes.

And vent they did. For four hours, there was a catharsis of personal pain and grief that nobody in the small town could have imagined. Women who had been raped stood in front of the crowd, clad in Guy Fawkes masks, to share their stories. Some of them unmasked at the end of their testimonies as they burst into tears. Rapes at parties, date rapes, rapes by friends and relatives—their pent-up secrets came pouring out. “It turned into this women’s liberation movement, in a way,” MC recalls. “And it just changed everything. There was nothing anybody could do against us at that point because it was so real and so true.”

via Exclusive: Meet the Woman Who Kicked Off Anonymous’ Anti-Rape Operations | Mother Jones.

The audio clips are available on the Mother Jones site.

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Filed under communication, documentary, feminism, hacking, protest, representation, resistance, sexual assault

Ten Frisk Commandments: Jasiri X

Yes. Yes. Yes. Yes. Yes. Yes (of course sometimes you gotta run). Yes. Yes. Yes. Yes.

Stay free y’all.

Salute to Jasiri X!

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Filed under colonialism, communication, drugs, hip hop, human rights, juxtaposition, learning, media, music, police, prisons, race, representation, resistance, Surveillance