Martin Luther King improvising

I heard a nice tribute to Martin Luther King Junior and his speech at the March on Washington on the radio this morning.  Another version of this showed up in my RSS feed thanks to the fantastic “Daily Feminist Cheat Sheet” on Feministing.

Apparently, the essential chorus of “I have a dream” was a semi-improvisation for King.  It was a response to Mahalia Jackson.

As King neared the end, he came to a sentence that wasn’t quite right. He had planned to introduce his conclusion with a call to “go back to our communities as members of the international association for the advancement of creative dissatisfaction.” He skipped that, read a few more lines, and then improvised: “Go back to Mississippi; go back to Alabama; go back to South Carolina; go back to Georgia; go back to Louisiana; go back to the slums and ghettos of our Northern cities, knowing that somehow this situation can and will be changed.”

Nearby, off to one side, Mahalia Jackson shouted: “Tell them about the dream, Martin!” King looked out over the crowd. As he later explained in an interview, “all of a sudden this thing came to me that I have used — I’d used many times before, that thing about ‘I have a dream’ — and I just felt that I wanted to use it here.” He said, “I say to you today, my friends, so even though we face the difficulties of today and tomorrow, I still have a dream.” And he was off, delivering some of the most beloved lines in American history, a speech that he never intended to give and that some of the other civil rights leaders believed no one but the marchers would ever remember.

via Mahalia Jackson, and King’s Improvisation – NYTimes.com.

Don’t sleep on the impact of the solid gospel choices of Mahalia Jackson in motivating a political crowd.  Remember that music is key for every liberation movement I can think of.

She sang two spirituals, “I Been ’Buked and I Been Scorned” and “How I Got Over.” King was seated nearby, clapping his hands on his knees and calling out to her as she sang. Roger Mudd, covering the event for CBS News, said after the first song: “Mahalia Jackson. And all the speeches in the world couldn’t have brought the response that just came from the hymns she sang. Miss Mahalia Jackson.”

***

I hope you have some remaining monthly New York Times tokens!  Or else you won’t be able to follow the link I’ve recommended to read the whole article.  Pretty short-sighted New York Times.  #newyorktimeshatesfreeinformation

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Ketchup and xanthan gum

In my desire to spend some more time doing funky cooking, I bought a little bag of xanthan gum.  I’ve been thinking about making a sauce or gravy with it.  Reading this little ketchup article (thanks Hairpin!) tied the ‘two-finger-tap’ to my new food additive.

One interesting fact about ketchup that everyone should know is that it’s a non-Newtonian fluid. Naturally, ketchup is rather thin and watery, because the tomato pulp that gives it consistency is sieved out. As a result, commercial ketchup makers add a small amount of xanthan gum to their ketchup recipes to thicken it. But this ingredient has another side effect: It turns ketchup into a shear thinning fluid. In other words, how quickly ketchup flows depends upon the stress that is being placed upon it.

via How 500 Years Of Weird Condiment History Designed The Heinz Ketchup Bottle | Co.Design: business + innovation + design.

That ketchup is non-Newtonian is the main reason why getting it out of a glass bottle is so slow. Allowed to flow naturally, ketchup only travels at a speed of 147 feet per hour. The only way to speed it up is to apply force, which through the principle of shear thinning decreases the ketchup’s viscosity, and thus increases its flow rate. This is why you have to thump a bottle of ketchup to get it flowing from the bottle. The concussive force makes it flow faster.

But despite common opinion, the bottom of a bottle of Heinz Ketchup isn’t actually the best place to thump it. If you apply force to the bottom of a bottle of Heinz, the ketchup closest to where you smacked will absorb most of the force of impact. It will flow freely, but the ketchup that is viscously clogging the neck and mouth of the bottle won’t, leaving you no better off than you were before. The solution is to trigger the shear thinning effect at the top of the bottle, not the bottom. That unclogs the mouth and lets the ketchup below to freely flow.

So while the substance of Heinz’s “57 Varieties” label may be just a fanciful whim on the part of the company’s creator, its positioning is deliberate. It’s a target. By simply tapping the label with two fingers, you create the optimal conditions for shear thinning, transforming non-Newtonian ketchup into a free-flowing liquid. Physics!

via How 500 Years Of Weird Condiment History Designed The Heinz Ketchup Bottle | Co.Design: business + innovation + design.

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Smart thinking about white indignation and trolling

I’m completely feeling three arguments from Robin James at Cyborgology about the indignation over the Robin Thicke/Miley Cyrus VMA performance.

1. White indignation is a way to self-identify as better-than.

What are we supposed to find likeable in all this? If the aim of the performance is trolling, then we’re not supposed to find it likeable, but irritating and infuriating. I wonder if, in a particularly insidious way, we white people/white feminists are supposed to like what we think is our righteous outrage at the performance? It’s insidious because what is felt (and often intended, at least superficially) as a performance of anti-racist outrage actually further cements our privilege vis-a-vis white supremacist patriarchy? Sharing the pics and gifs of black artists’ reaction shots (the Smith family, Rihanna, Drake), and all the positive feedback we get from this, tells us that we’re “good” white feminists? And this knowledge of our goodness is what we’re liking and aesthetically enjoying? (I’m phrasing these points as questions because they’re genuinely hypotheses–they seem right, but maybe I’m overlooking something?)

via Trolling Is the New Love & Theft » Cyborgology.

No, you are not overlooking something.

2.   James also argues that new media enables sexist and racist communications to be quantified and amplified through critique via social media commentary and thus sanitized.

But today, in what we tell ourselves is a post-feminist, post-racist society, perhaps the way to dis-identify with the neoliberal mainstream is to identify with the objects of its disdain: sexism and racism. As before, the dis-identification with the mainstream is an attempt to prove one’s elite status above that mainstream. This eliteness isn’t conceived or expressed as vanguardism (being ahead of the pack), but as human capital, often quantifiable in/on social media. It’s not who’s most shocking, but who’s trending most on twitter the day after the VMAs, for example. Just think about the way Thicke’s “Blurred Lines” performances constantly throws #THICKE up on some screen.

via Trolling Is the New Love & Theft » Cyborgology.

3.  The best point James makes is framing this kind of cultural appropriation + rape supportive culture + toxic corporate media garbage to be a form of trolling.  Pushing our buttons in order to get more attention.  Now, this is a smart argument — it gives a way to better understand the reasons why Thicke’s rape song and Cyrus’ twerking are bothersome.

I also think it might point to a kind of consumptive desire in the audience not only to distinguish themselves through mockery, but also to desire to view and replay the suffering of the mocked.

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MSG and flavor

Buzzfeed has a nice article on MSG by John Mahoney.  Emphasis is on umami taste, DIY MSG, and the moral panic associated with the food additive.   It’s worth noting that like many other crucial food flavors, MSG is the product of a bacterial process:

Today, MSG is manufactured commercially by fermentation that is more or less the same as what’s happening in the Momofuku R&D lab. In factories around the world, a bacterium known as Corynebacterium glutamicum (so named for its prized waste products) is fed plant glucose (corn, beets, wheat). As it eats, it releases glutamic acid. The resulting fermented product is filtered and centrifuged to isolate the glutamic acid and remove by-products and impurities, it’s crystallized, and out comes MSG.

via The Notorious MSG’s Unlikely Formula For Success.

 

 

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Systematic racism: RIP Trayvon Martin

Like most other thoughtful people I had little to contribute to the public discussion about the killing of Trayvon Martin.  I deleted an initial angry post that included a forceful discussion of systematic racism and some very inflammatory graphics.

I think I should have kept that angry post.

Systematic racism: hierarchy between races is built into our educational system, governmental policy, policing, and amplified in mass media.  Systematic racism means that you might learn prejudice and not think  that you were prejudiced.

Most people could identify a time in the past where their nation embodied systematic racism.  Maybe . . . it’s still bad?  Can we acknowledge that we teach exclusion and sustain privilege in a little cushion of bogus justifications?

The Trayvon Martin case suggests that the forces which amplify ignorance and hatred have been more effective than those of us proposing compassion and critical thinking.

Juror B37 who has given an interview about her reasoning about the case and her justifications are simply terrifying.   Here are a handful of quotes organized and archived by Igor Volsky at Thinkprogress.

1. Martin was responsible for his own death.

JUROR: It was just hard, thinking that somebody lost their life, and there’s nothing else that could be done about it. I mean, it’s what happened. It’s sad. It’s a tragedy this happened, but it happened. And I think both were responsible for the situation they had gotten themselves into. I think both of them could have walked away. It just didn’t happen.

2. Juror felt just as sorry for Zimmerman.

COOPER: Do you feel sorry for Trayvon Martin?

JUROR: I feel sorry for both of them. I feel sorry for Trayvon, in the situation he was in. And I feel sorry for George because of the situation he got himself in.

3. Zimmerman should continue to serve as a neighborhood watchman because he has learned his lesson about going too far.

COOPER: Is George Zimmerman somebody you would like to have on a neighborhood watch in your community?

JUROR: If he didn’t go too far. I mean, you can always go too far. He just didn’t stop at the limitations that he should have stopped at.

COOPER: So is that a yes or — if he didn’t go too far. Is he somebody prone, you think, to going too far? Is he somebody you would feel comfortable —

JUROR: I think he was frustrated. I think he was frustrated with the whole situation in the neighborhood, with the break-ins and the robberies. And they actually arrested somebody not that long ago. I — I mean, I would feel comfortable having George, but I think he’s learned a good lesson.

COOPER: So you would feel comfortable having him now, because you think he’s learned a lesson from all of this?

JUROR: Exactly. I think he just didn’t know when to stop. He was frustrated, and things just got out of hand.

4. Verdict hinged on “Stand Your Ground” law, even though Zimmerman did not use it in his defense.

COOPER: Because of the two options you had, second degree murder or manslaughter, you felt neither applied?

JUROR: Right. Because of the heat of the moment and the Stand Your Ground. He had a right to defend himself. If he felt threatened that his life was going to be taken away from him or he was going to have bodily harm, he had a right.

5. Zimmerman was only guilty of using poor judgment and was “egged” on to follow Martin by the 9/11 operator.

COOPER: Do you think he’s guilty of something?

JUROR: I think he’s guilty of not using good judgment. When he was in the car and he called 911, he shouldn’t have gotten out of that car. But the 911 operator also, when he was talking to him, kind of egged him on.

6. Race played absolutely no factor in Zimmerman’s profiling of Martin.

JUROR: I think just circumstances caused George to think that he might be a robber, or trying to do something bad in the neighborhood because of all that had gone on previously. There were unbelievable, a number of robberies in the neighborhood.

COOPER: So you don’t believe race played a role in this case?

JUROR: I don’t think it did. I think if there was another person, Spanish, white, Asian, if they came in the same situation where Trayvon was, I think George would have reacted the exact same way.

COOPER: Why do you think George Zimmerman found Trayvon Martin suspicious then?

JUROR: Because he was cutting through the back, it was raining. He said he was looking in houses as he was walking down the road. Kind of just not having a purpose to where he was going. He was stopping and starting. But I mean, that’s George’s rendition of it, but I think the situation where Trayvon got into him being late at night, dark at night, raining, and anybody would think anybody walking down the road stopping and turning and looking, if that’s exactly what happened, is suspicious. And George said that he didn’t recognize who he was.

COOPER: Well, was that a common belief on the jury that race was not — that race did not play a role in this?

JUROR: I think all of us thought that race did not play a role. […]

COOPER: It didn’t come up, the question of, did George Zimmerman profile Trayvon Martin because he was African-American?

JUROR: No, I think he just profiled him because he was the neighborhood watch, and he profiled anyone who came in acting strange. I think it was just circumstances happened that he saw Trayvon at the exact time that he thought he was suspicious.

7. Zimmerman’s history of reporting black men to the police and his decision to follow Martin played no role in the verdict.

COOPER: So whether it was George Zimmerman getting out of the vehicle, whether he was right to get out of the vehicle, whether he was a wannabe cop, whether he was overeager, none of that in the final analysis, mattered. What mattered was those seconds before the shot went off, did George Zimmerman fear for his life?

JUROR: Exactly. That’s exactly what happened.

via 7 Mind Blowing Moments From Zimmerman Juror B37’s First Interview | ThinkProgress.

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Run the jewels and rape culture

It ain’t my fault.  I’m too critical.

If you like rap music, then El-P and Killer Mike’s Run the Jewels is the best thing of 2013.  Kanye?  Jay-Z?  J. Cole?  Naw.

If you like your rap head-nodding with great verses, then get this album.

***

One premise of life of refinement is that purity is foolish.  Understand that you can simultaneously enjoy something and wish it were different.  Watching that TV show and enjoying it 99% until the anti-gay joke?   Live in both places — that you like the show and you dislike the joke.

It seems easy, but a lot of people get it twisted.  The idea that if you don’t like one iota of a piece of media that you have to pick teams and persecute the makers is rampant.

***

So I LOVE this tape.  Love it like fried tofu.  Love it like summer days.  Love it like sleeping late.  Love it and played it a dozen times since it came out.

Then there is a “twin back hype,” laced with spoken word from ‘Chest Rockwell’ AKA Prince Paul.  The line that sticks in my craw is sleaze ball stereotype rape culture shit.

Prince Paul/Chest Rockwell:  “How you feeling now, sweetheart, a little more relaxed?  Maybe it’s the half a molly I put in your Mountain Dew.  Yeah, works like a charm.  Just chill out for a second.  Relax.  Relax!  I got it under control.  I got you a glass of Beefeater, I got a brand new deck of Uno Cards.  Oh yeah, baby, tonight’s just getting started.  Okay, how ’bout I come over tonight pick you up in my brand new Segue?  We can go over to Long John Silver’s and get a fish platter.  You can take me home and massage me with butter all on my neck.  I love you.”

What?  My interpretation of this little vignette is that Prince Paul is making fun of Rick Ross who recently was dropped by Reebok because of his lyrics suggesting that he drugged his sex partners.  (“Put molly all in her champagne, she ain’t even know it/ I took her home and I enjoyed that, she ain’t even know it” — U.N.E.O.)

I think the mockery is evident if you consider the Uno cards, Segue, Long John Silvers stuff etc.  Of course, Chest Rockwell seems to announce his drugging unlike Rick Ross.  And Chest Rockwell is the character from Boogie Nights suggested as a porno name, taken by a great rap producer for his Handsome Boy Modeling School character.  This is parody within parody.

But it doesn’t mean shit to people listening.  Intention and even humor are irrelevant to the choice of symbols presented.  I bet there is a kid listening to the El-P and Killer Mike song who not only get to model some great rhyming AND that drugging people for sex is funny or okay.

***

I don’t think the politics have to be perfect in rap music.  But you make fun of raping someone I’m going to call it out.  You might call it splitting hairs to say that I like the album, bump the album AND think people need to talk more about this skit in order to explain rape culture.

Frankly, given how much rape is part of our media saturated existence, then the explanation of why that line is messed up requires more thoughtfulness than to just suggest that you not listen to the album.  I think that everyone who is a conscious ethical being should be ready to bust up rape culture whenever they see it.  Even if it comes on the best album of 2013.

Get the album at Fools Gold.   Listen to it with your nephew or niece and talk about rape and why that skit isn’t funny.

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Amazing modernist cuisine videos

I had a sodium alginate olive at Jose Andres’ restaurant in D.C..  It was more than impressive.  Arriving on a spoon and looking like a jiggly dollop of self-contained olive pudding, the olive skin burst in my mouth and it was like eating a dozen olives at once.

Youtube user enthusiochefs has some stunning videos of modernist cuisine.  Lets start by watching someone reconstruct baby corn on the cob?

Or powdered ice cream inside candied strawberries?!?!  (I know the gelatin isn’t vegetarian.  I’m not going to make these, nor do I think that someone should eat animal hooves.   I’m impressed with the videography and the ten billion steps to get this desert right. Yo!  Molecular gastronomists: make more vegetarian science food!)

I might just mess with this clementine sorbet with candied pumpkin seeds:

I’m certainly going to spend more time cooking with tweezers. Salute to the innovators!

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Italian seitan links

Seitan take 4.

I’ve documented my seitan adventures in three other posts (sauerkraut and vegetarian barbecuevegetarian noodle bowl with seitan and seitan refined).   I have a short list of what I want out of this refined seitan project:

– more firm texture

– more italian style seasoning infused into the seitan

– sausage “link” shape

– increased salt flavor in the seitan

With these needs in mind, I added a ton of spices to the dry wheat gluten.  I also ground the spices up in a mortar and pestle.  Oregano, basil, marjoram, salt, pepper, fennel seeds, and chipotle pepper (for smoke and heat) were my spices of choice.  Do your own darn thing.

I was hoping that the small pieces of spice would just absorb into the tissue of the seitan.  And I remembered that the whole fennel seeds in the last seitan experiment seemed to cut up the gluten strands.

I had seen an Australian youtube video where the cook wrapped the seitan loaf in some cloth to help shape it into a particular form.  So I chopped up a couple of old pillow cases (well washed).  I pressed the cut chunks of kneaded seitan into logs and then wrapped them tightly and tied off between each link.

I cooked the wrapped sietan links for about 45 minutes in stock that was just short of boiling.

RESULTS:

The addition of ground up spices seems to have flavored up the seitan.   Kneading the seitan until quite firm seems to have toughened up the dough and the final project.  Within a few seconds I could see that the cloth wrapping was billowing around . . . I think I could have just dumped the links into the broth without bothering to use the cloth.  I also had mild chemical fears about halfway through the process . . . afraid that some dye would get into my food.

Next time I’m going to knead even more and increase the salt in the broth.

But it is pretty dang good.  And nice to have vegetarian Italian sausage hanging around for meal prep.

Keep eating and experimenting party people!

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Direct action to organize jailed immigrants

Marco Saavedra being arrested. Photo by Steve Pavey from the American Prospect.

Please read this article by Michael May on young activists who are getting arrested in order to organize immigrants in detention facilities.

The success of the campaign made the three activists wonder: Could they replicate it on a grand scale by getting themselves detained on purpose? Inside immigration detention facilities, they would surely find dozens, if not hundreds, of low-priority detainees like de los Santos whom they could help. At the same time, they could publicize the fact that it wasn’t just criminals who were being deported, as the Obama administration kept insisting. “We realized we could be more effective if we just went straight to the source,” Abdollahi says. Doing so would flip the script on immigration agents; the activists would be taking advantage of their undocumented status and thus could be detained and deported. Deportation was unlikely, because they were Dreamers without serious criminal records. Even so, this would make the risk they’d taken in Charlotte look like nothing. But Saavedra, Abdollahi, and Martinez had been growing more fearless, and more radical, since they’d met.

via Los Infiltradores.

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Ricky Jay: cons, cards and the correctly structured drama

I guess it’s Ricky Jay day here at Life of refinement.  There are several great moments in this Ricky Jay video.  My favorite was the description of conning by David Mamet at 39:00:

“The idea that intelligent people, such as you and me, can be deprived of our hard-earned money and self respect by the correct . . . by a correctly structured drama.”

A correctly structured drama indeed.  Stick around for the poker lesson at the end.

 

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