I appreciate the thoughtfulness and strategic communication of the 1UP graffiti crew. The above videos are a pretty good representation of the trans-national cohort bent on leaving their shared name on any (un)available surface.
1UP have challenged the stereotypes before with their coral reef tag, and the #LEAVENOONEBEHIND campaigns. They are graffiti extenders – moving the practices of graffiti into new mediums and methods. The crew seem comfortable with a variety of new application strategies including the whole crew whole car strategy with the car in service, fire extinguisher painting, and of course repetition.
These two videos present some of the more interesting elements of 1UP practice. I’ll observe:
- Collaborative vacation. These videos document 2019-20 New Years Eve in Napoli. The crew pick a location and then paint up the town and socialize. They share a crew tag and a goal of making it beam from every surface in the city.
- interactions on the street. The 1UP crew zip around Napoli and paint on the walls with passersby interacting. These offer up some great moments like the memorial tag at 2:28. But the 1UP crew seem social, jolly, the paintings all seem pretty crisp and they seem to pass cans to people walking by if they express an interest.
- Include the failures. I really like the disruption of the standard graffiti video format. Including some high profile failures and semi-honest reflection about those tactics adds a lot to these two films.
- Strategic painting. Two giant cans of silver paint with fat caps allow a person to cover a lot of terrain. The use of teams (one person doing the fill and another to do the outline) and the multiplication of these roles if they are doing something larger was really impressive.
- Nostalgia. After a half a year of COVID-19 and stresses of the end of democracy in the United States, seeing a band of artists run through a European city on New Years eve seems like nostalgic hi-jinx.
- Vele. The Vele houses in the second video (10:45) offer up one of the best case studies of representation and voice. My concern is that it would be exploitative for the community members, so I appreciated that they foregrounded consent with the neighborhood and participation in the message-making.
- Art. I have some aesthetic preferences. Not sure what the face on the Vele houses was. Was not moved by the addition of the yellow streaks to most of the finished throwups. Really liked the rainbow drip piece. Appreciated the solid lines and old school letter styles used for 1UP across the project.
- Ethics. I’m sympathetic to anyone who was disrupted in their transportation to work. I bet quite a few people were terrified by the giant firework explosions. And I think that some of the crew shots of large gatherings of hooded men may seem menacing to some.
Overall these two videos are great examples of communicative strategy both in the video construction and the 1UP artwork.