Category Archives: sexism

Online harassment in Massive online classes

Massive Open Online Classes (MOOC) were a big deal a few years ago.  Turns out that one of the most prominent MIT MOOC teachers, Walter Lewin has been  using his MOOC to harass (mostly) international students like French student Faïza Harbi.  Inside Higher Education has the details and a discussion over whether students enrolled in free classes get Title IX protection from gender-based discrimination:

Whether MIT could be held liable for not protecting Harbi and the other women is still an unanswered question. MOOC providers differ on whether learners who are not enrolled at institutions eligible for federal financial aid are covered by the Family Educational Rights and Privacy Act, which some researchers have warned about. But when it comes to discrimination, legal experts said, Title IX of the Education Amendments of 1972 should apply to anyone who registers for a MOOC.

“Title IX talks in terms of ‘no person’ shall experience discrimination — not ‘no student,’ ” Buzuvis said. “That broad language creates the possibility for anyone who’s a victim of discrimination [to] potentially have a claim under Title IX.”

Buzuvis, who runs the Title IX Blog, said that, based on the severity of the Lewin case, a lawsuit against MIT could come down to if the institution knew about the harassment and didn’t act to protect learners.

via Complainant in ‘unprecedented’ Walter Lewin sexual harassment case comes forward @insidehighered.

Buzuvis mentioned is: Erin Buzuvis, director of the Center for Gender and Sexuality Studies at Western New England University.

Thanks for Feministing for the link!

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Filed under academics, capitalism, feminism, gender, human rights, sexism, sexual assault, technology

Fighting the trolls: Lindy West engages

I like Lindy West’s pop culture analysis.  She writes for a few online spots like Jezebel.  Feministing noted that she had been harassed by a troll who opened a twitter account in the name of her deceased father.  This is the feministing quote:

Lindy, who you might know from her writing at Jezebel and GQ, was trolled by someone who set up a Twitter account in the name of her dead father. She wrote about how awful that made her feel, and to her surprise, he wrote to her again – but this time, to apologize.

Then, she called him and interviewed him about what had gone through his mind when he decided to do what he did. And recorded it all. “It felt like if I could just get the specifics,” she says, “gather them up and hold them in my hands — then maybe I could start to understand all the people who were still trolling me.”

They talked for two hours, and by the end, she’d forgiven him for the terrible things he’d done – the meanest thing anyone has ever done to her. She understood what his life looked like at the time that he was trolling (he’s since stopped, he says) and she felt sorry for him. Still, she says, it’s disturbing to know that there was nothing wrong with him per se. “It’s frightening that he’s so normal,” she says. He’s not your idea of a monster, and unlike a fairy tale troll, he certainly doesn’t live alone under a bridge. He has women coworkers, and a girlfriend, and women friends. “They have no idea that he used to go online and traumatize women for fun.”

via “It’s frightening that he’s so normal.”.

In a Jezebel essay, West notes her reasoning to humanize and engage with trolls:

I feed trolls. Not always, not every troll, but when I feel like it—when I think it will make me feel better—I talk back. I talk back because the expectation is that when you tell a woman to shut up, she should shut up. I reject that. I talk back because it’s fun, sometimes, to rip an abusive dummy to shreds with my friends. I talk back because my mental health is my priority—not some troll’s personal satisfaction. I talk back because it emboldens other women to talk back online and in real life, and I talk back because women have told me that my responses give them a script for dealing with monsters in their own lives. And, most importantly, I talk back because internet trolls are not, in fact, monsters. They are human beings—and I don’t believe that their attempts to dehumanize me can be counteracted by dehumanizing them. The only thing that fights dehumanization is increased humanization—of me, of them, of marginalized groups in general, of the internet as a whole.

via Don’t Ignore the Trolls. Feed Them Until They Explode..

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Filed under communication, critique, feminism, gender, hacking, health, kindness, representation, resistance, rhetoric, sexism, technology

Van Halen & rape culture: Jamie’s Crying

This morning I decided to burn a CD of the first Van Halen studio album.  As I arrived at work, I was deep in a lyrical analysis of “Jamie’s Crying”.

In addition to being the sixth or seventh best song on the record, it is also a funky track about consent.  Sung from the perspective of a young woman who said no to a ‘one night stand,’ and is now sad that the only romance her prospective lover wants is quick sex.  (Hence, why she is cryin’).

It seems like an interesting take on consent.  In this case, the lover pressures Jamie and Jamie refuses.  I appreciate that the pressuring lover simply ups and leaves when “Jamie wouldn’t say alright.” But the prevailing message of the song is that if someone doesn’t sleep with the band, they’ll never get any other interaction (‘gone forever.’).   A sort of nod to consent in a forward motion toward rape culture.

Cue Van Halen groupie reel.

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Filed under music, representation, sexism, sexual assault

Clipse Studies 102: No Malice is good

It is worth noting the 2009 Clipse album “Til the casket Drops” as a marker of a few key moments in hip hop. 

–> excessive consumerism refined. 

–> objectifying sexism as inevitable hip hop video “wallpaper”. 

–> Pharrell’s production genius. 

–> the last time No Malice rhymed as Malice. 

Despite buying the CD in the store, I didn’t know there was a video for this song until today.  In retrospect No Malice seems to be showing his discomfort with the lifestyle embodied in the video.  “Mama lookin’ right, and I don’t even want her.” 

Entitled masculinity as means of riding the fence. 

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Filed under hip hop, music, representation, sexism