Trayvon Martin and victim blaming for hate crimes

Plies is one of the least conscious rappers I know.  Despite his cultural fifteen minutes crossing over with Gucci Mane’s fraternity party anthem “Wasted,” Plies has made music discussing his problems associated with the representation of young black men and violence. His song about Trayvon Martin covers some of the predictable landscape and I find surprisingly poignant.

Perhaps the massive resonance of the murder of Trayvon Martin is because the crime is so obscene.  The victim seems so innocent and the killer seems so enthusiastic to kill.  The crime is enraging because of the 911 tapes, the images of Martin in his football uniform, and his desperate phone call to his girlfriend.  We are invited to view a real injustice.

But of course racist killings take place all the time.  The difference is the victims are often blamed for their killing.  The usual way this is done is to associate some socially unacceptable behavior (sex, drugs, rap music, clothing) with the murdered victim and call them a “suspect.”

For people who regularly experience police harassment, the inaction taken probably seems like a confirmation that the system works against you.  For people who do experience privilege of not having to regularly deal with police (corrupt and otherwise) the inaction taken against Zimmerman probably seems like a grotesque aberration of the system.

Both of these groups of people will don hoodies to march for justice for Trayvon.  A big part of that anger is fueled by the perception that this violence was exceptional.  I would argue that it is ordinary.  What is exceptional in the Trayvon Martin case is that the victim blaming is particularly hard. *

Lets take a quick look at the ways the press and police did Sean Bell dirty after he was killed.  Undercover police officers shot fifty bullets into Bell’s car the night before his 2006 wedding.

Five of the seven officers investigating the club were involved in the shooting. Detective Paul Headley fired one round, Officer Michael Carey fired three, Officer Marc Cooper fired four, Officer Gescard Isnora fired eleven, and veteran officer Michael Oliver emptied two full magazines, firing 31 shots from a 9mm handgun and pausing to reload at least once.

via Sean Bell shooting incident – Wikipedia, the free encyclopedia.

Although Sean Bell’s case is used as an example of police misconduct, there was a lengthy series of public relations attempts to blame Bell for the murders.

Initially it was claimed that the officers were afraid of gun violence from Bell and his companions.  Never found a gun or evidence that there had been a gun in the car.

Then the press and police pointed out that that Bell had been legally intoxicated at the time he took the wheel, usually adding in that he was drunk at a strip club.    In essence suggesting that Bell had been shot because he had been drinking and driving or cavorting with strippers.

Michael Wilson from the New York Times makes this idiotic statement:

Further, trial testimony showed that Mr. Bell may have played some role, however unwitting, in the shooting, as he was drunk by legal standards when he pressed down on the accelerator of his fiancée’s Nissan Altima and struck Detective Isnora in the leg in an attempt to flee.

via Sean Bell Case.

Despite being a poster case for injustice, the victim blaming helped to let the police killers go free.   The cops were acquitted because they were found to be confused and it’s okay to kill people if it’s a mistake.  Scratch that, it’s okay to empty your magazine into a car and then reload and empty the second magazine into the car before figuring out what is going on.

But yesterday something interesting happened.  The cops who killed Sean Bell, some eight years ago were finally released from their jobs as cops.  One is getting fired!  Huh?  I wonder if the public scrutiny in the Trayvon Martin case raised up enough public discussion to pressure the New York Police Department to clean house.

 

For an interesting view on the construction of public information.  Check out the discussions about the editing of the Sean Bell Wikipedia page.  Note the battle over how to talk about Sean Bell’s arrest record.  Fascinating discussions about what to include and how to write the information.   A great place to view the articulation of victim blaming.

 

* Of course victim blaming isn’t impossible in the case of Trayvon Martin.  Check out Geraldo Riviera making the worst version of this argument.

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Filed under communication, hip hop, human rights, learning, memorial, police, propaganda, race, representation

Fortune cookies aren’t Chinese?

Watching Jennifer 8. Lee’s TED lecture on cultural assimilation, appropriation and Chinese food last night was a sixteen minute epiphany.  Something about her credibility — the maniac pace of the lecture, the brilliant video clips and images, the giggling — it all adds up to something quite entertaining and thought provoking.

 

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Filed under capitalism, cultural appropriation, juxtaposition, media, representation

Jasiri X: Trayvon

Check out the colors of change campaign for Trayvon.

There is an interesting campaign to mail a package of skittles the police chief who chose not to arrest Zimmerman.  I’m thinking about mailing some skittles to US Attorney General Eric Holder.

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Headz ain’t ready: BCC 2012

Oh yeah.  The greatest rap crew of all time. My favorite part of the first video is the Rockness Monsta hamming it up.  If I was on the east coast I’d be at that show.  Even if I had to teach at 8 the next morning.

“. . . my eyes peep this life in a form you can’t picture/panoramic view the hammer damage yer crew/back flipping, gat spittin’, sell-crack rapper dude/backsmack a few rappers who rap with the attitude.” -Sean Price.

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Read so hard . . . that shit cray.

I’m feeling the lyrics:

“Nerdy Boy/He’s so slow/Tuesday we started Foucault

He’s still stuck on the intro?

He’s a no-go . . .”

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Understanding gangs of starlings

Starlings above Rome. Photo from the Telegraph.

Rather than affecting every other flock member, orientation changes caused only a bird’s seven closest neighbors to alter their flight. That number stayed consistent regardless of flock density, making the equations “topological” rather than critical in nature.

“The orientations are not at a critical point,” said Giardina. Even without criticality, however, changes rippled quickly through flocks — from one starling to seven neighbors, each of which affected seven more neighbors, and so on.

The closest statistical fit for this behavior comes from the physics of magnetism, and describes how the electron spins of particles align with their neighbors as metals become magnetized.

via Starling Flocks Behave Like Flying Magnets | Wired Science | Wired.com.

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Soul Night March 22 at Humboldt Brews

I’m pretty excited.  Please join us for soul music, a disco ball, at least two birthday parties, Matt Jackson’s slinky fashion, Adam’s gyrations, DJ Mantease’s enlightening jams,  Jaymorg’s favorite 45s, Tanasa AKA T-Rex, and all at an affordable entry price.

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Cultural assimilation vs. Marketing: the Nike Black and Tan edition

Thanks to kicksonfire for the image.

Nike’s new shoe, the Black and Tan, has been released presumably to take advantage of St. Patrick’s day drinking/marketing opportunities.  Whoops.  Turns out that the Black and Tan is a sour brand in Ireland because of the hated military/police group which murdered and terrorized civilians during the early twenties.

The Black and Tans were a colonial army recruited from England ostensibly to police the people of Ireland.  The lack of oversight and genuine racism in the face of a guerrilla uprising led to a terrible disdain for civilians.  The roughshod police force (their name is a reference to the haphazard uniforms of the unit) was almost 7-10,000 strong and recruited from former World War I veterans.

In retaliation for attacks on police forces, the Black and Tans attacked civilians, burned homes and businesses and in one case refused an entire village food.  Consider the documentary The Burning of Cork.

The Nike marketing error is evidence of the smooth appropriation transforming actual Irish history into a bizarre tourist narrative emphasizing drinking, leprechauns, and Irish-affiliated brands.  These tourist realities corrode against the actual history of Sinn Fein, Home Rule, and the bodily struggles associated with Irish Nationalism.

The assumption of Nike, that their party, party, party language was the universal meaning points to a kind of linguistic arrogance. NPR’s Melissa Block and Robert Siegel interviewed Brian Boyd of the Irish Times on the Nike apology.

BLOCK: Now, Nike has released a statement saying: We apologize, no offense was intended. At the same time, Nike says the sneaker has been, quote, unofficially named by some as the Black and Tan.

SIEGEL: That said, if you look inside the shoe – as we have done with online photos – you see an image of a pint of beer with two colors, black and tan.

BLOCK: Brian Boyd of The Irish Times has reported on some outrage over the shoe. But really, he says, it’s not about a shoe. It’s about a holiday.

BOYD: It’s how the Americans view Saint Patrick’s Day and view Irish culture and history. And it’s the very fact that some people are saying that these are beer-themed sneakers, that the only way to celebrate a national holiday of a country with a very rich culture and a very rich history and literature, et cetera, is to pour massive amounts of alcohol down your body.

It’s how the American treat St. Patrick’s Day. So we’re using this story to say, look, it’s the silly Americans, stupid Americans, look what they’re doing again. They’ve got it all wrong.

via Nike Kicks Up Controversy With ‘Black And Tan’ Shoes : NPR.

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Gou Miyagi, the best skateboarder I’ve ever seen.


Glen E. Friedman has two more of Miyagi’s videos at his blog.  Go there for the rest of this series.

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No Malice: feeling guilty over the Clipse

Seems like someone is struggling with the cannibalistic weight of the language of the Clipse.  Two brothers: Pusha T and formerly-Malice make up the Clipse.  Relentless, talented, ruthless, and grimy were the hallmarks of this duo.  2011 saw Malice reject the image and the name (he now goes by No Malice).  Here is Malice renouncing his past.

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